Where are they now? - Yes
and projects with multiple Yesmen
This page last updated: 18 May 13
On this page—Yes: On tour - Cruise to the Edge - Next album - Fly from Here - DVDs/re-releases - Covers of Yes songs - Documentaries & books - Fandom
Projects involving multiple Yes men: Asia (Howe,
Downes) - Anderson
Wakeman - CIRCA: (Sherwood, Kaye) - Anderson/Wakeman/Rabin
- Levin/Torn/White - Sonic Reality project (w/
Sherwood, Kaye et al.) - Cleopatra Records album with
guest artists (w/ Sherwood, Squire, Howe,
Downes, Wakeman, Kaye, Banks)
At the moment [...] we’re very busy with our new singer, Jon Davison, and doing a lot of touring work this year and we’re looking at making a new YES album with Jon Davison as the singer towards the end of this year. Going into 2014, there are other possibilities that might open up, but we haven’t detailed them yet.New album for 2014
"We're already looking at bits and starting to gather music together," he reports. "It's really just in the germination stage at the moment."In another Jan 2013 interview, Squire said: "We'll see what the end of the year brings when we make a new album. There will be a lot of excitement around that [...] for us. Then we'll be working on a way to present it." In this Feb 2013 interview, he said, "We'll be recording some new music later on in the year." A Jan 2013 video interview with Downes had this comment from him: "We're looking now towards maybe doing some more recording towards the end of the year but, as I say, you never know, it's always very much how things pan out." And a Feb 2013 interview has these comments from him when asked about the direction of the new album:
"Jon [Davison] is also a writer, so he'll be bringing something to the table to add to the Yes mix," Squire notes. "He's definitely a creative spirit, so we're looking forward to that new material with him, and hopefully we'll get a refreshed new Yes studio album."
Well, there are only small ideas at the moment. There’s nothing that’s been seriously rehearsed or looked at yet. We’re just starting to collect ideas now and we won’t get into the recording of a new album until at least the end of this year. So there’s quite a lot of water to go under the bridge before we get there.In his Apr 2013 YesWorld Q&A, asked about a possible new album for 2014, Squire answered:
Thank you for your excitement about a new YES album with Jon Davison. I’m excited to be working on that also, especially as Jon is, as we all know, not only a good front man-singer, but also he a writer as well, so the combination of bringing some of his ideas into the YES camp are something we’re all looking forward to.A Feb 2013 interview with Davison describes him as "tentatively composing new material with Yes." In a Mar interview, he said:
Yes is currently in the beginning stages of a new album. Everyone is really excited about getting into the studio, which should happen sometime this year or early into next year. [...] I plan to be very busy with Yes throughout 2013In his May Q&A for YesWorld, Davison answered several questions about a new album. He was asked, "[...] how do you project the sound and style of the next Yes album? Will it be more laid back or aggressive sounding? And will you be playing an instrument [...]?" He replied: "I hope that we'll find a nice balance between mellow and semi aggressive/aggressive. The YES albums of the 70's achieved this equilibrium so perfectly. Since I compose a lot on the acoustic guitar, I imagine my playing to some degree will make its way to the record." He was then asked about his possible contributions to the album, and replied, "So far, there's been an enthusiastic response to my ideas from the rest of the guys. We'll have to wait and see what eventually conspires."
Well, I’m not going to really talk about that[.] It’s a bit early; we might do … certainly there’s some enthusiasm. And there are certain issues about it, and, well, they’ve thus far not been resolved. .. But it’s talked about, let’s say.A late Apr 2013 interview, in Spanish, had this from Howe: "Aún no puedo confirmar los temas ni el concepto pero estamos en el estudio probando algunas armonías y sonidos nuevos, definitivamente vamos a grabar un nuevo álbum", which translates as, "Although I can't confirm the topics or concepts, but we are in the studio, trying new sounds and some harmonies, we are definitely going to record a new album".
It’s strange how the focus on your new CD is so different from what it was. Evidently, when we’ve been talking about The Yes album, Close to the Edge, Going for the One [...] they’re established, they’re documented, they’re important. You can’t attack them, they’re very good recordings. I think Fly from Here was a fantastic achievement after 10 years since Magnification.And in this Apr 2013 interview:
Even though Fly from Here was enjoyed and it was a high quality project—there’s no doubt about it—we won’t talk about it as long as we will the other classics. So I’m not quite sure how we go forward. I think steadily and not in a hurry. Because there are always labels saying, “Bring out another record.”
I don’t know how Yes did so much so close together in the ’70s but it shows how much our creativity was combusting together. I would love to say the obvious answer, “Yes, of course, we would love to get back,” but that’s not really true. We would have to time it. We would have to consider it and weigh up our expectations because that’s where happiness lies. And also when we would be ready to do something worthy.
Chris keeps going round saying, ‘Oh yeah, Yes is going to do another album.’ I keep saying, ‘What do you mean?’ [...] There’s people in bands who want to make new albums irrespective of the downsides. I notice bands doing albums and that they don’t have any effect. Considering the abuse on the internet, people getting everything for nothing – you go to the trouble of spending our money making a record we believe in, then it doesn’t spread the news far enough. [...]In a Nov 2012 interview, Howe is asked: "Do you think you will ever play on another Yes album?" His reply:
“Fly From Here was a nice record. It had certain repercussions that are going to take a while to sort out. [...]
[Speaking about the current 3 Albums tour:] “I got a kind of awakening that tells me that to have these albums that people still enjoy, that’s quite an achievement. What are we trying to achieve by doing another one? I’ve got mixed feelings – I’m not opposed but I’m certainly cautious.”
We released Fly From Here last year, but it's something that I kind of fight myself about. You take bands like Aerosmith and the Rolling Stones, bands bigger than anything I've been in, and they make new records and nobody really cares. The people want to hear "Satisfaction." That goes with Yes as well, because people want to hear Close to the Edge. We like playing it. We love it, too. We love the new music but it doesn't have the familiarity. It is questionable what effect a new album has on well- established bands. Sometimes, you have to step back and ask yourself what you should be doing. I think The Who had one of the most disappointing results when they put out that last album. It was practically ignored and they are The Who. If we were to come out with something even as good as Close to the Edge, that would be a major achievement. The collaboration on those early records between Jon Anderson and I was amazing. There was a remarkable sense of teamwork. I don't know how we did it back then. It doesn't work the same way now.A Jul 2012 interview in The Pittsburgh Tribune-Review with Howe claims "Howe doesn't know if Yes [...] will make another new studio album in the future." An Aug 2012 interview with Howe and Squire has more positive comments from Howe but lays out a longer timescale:
Both Yes men say there’s an appetite to get more new material in motion, but it won’t necessarily come soon. [...] Howe [...] in particular feels that Yes “wasn’t really as ready to make a record as we thought we were” with “Fly From Here,” which he says will factor into what the group does next.Asked about a new album in a Jul 2012 interview, the interviewer commenting that Squire had talked about the possibility, Howe said:
“I would say (a new album) is blowing in the wind,” Howe says, “but I don’t want to put out something just to feel like it’s a follow-up record. I want it to feel like an opportunity to do a style of music, a certain project, an adventure.
“I don’t think we’re there yet at all, so I think it’ll take a long time to be ready for another record — which is fine so long as it serves the purpose of making a better album.”
This is one of those areas in life where people think slightly differently. I prefer getting the material and getting things in place and then talking to people about it. You've got even the shade or the color or the totality of the material. I don't really care to talk about that. We're in good shape. It's not a real conversation piece—we haven't started anything, so to talk to people in public about it seems ridiculous to me. As it may, we can only say what we believe in, and I believe we'll start to talk about it later.In a Jan 2012 interview, asked about a new album, Howe said:
Though Howe says "there's no clear-cut plan yet," he acknowledges that there's a desire to follow-up 2011's "Fly From Here" with what will be Yes' first album with [...] Davison.In Jan 2013, Glass Hammer's Fred Schendel, while explaining how Davison will work in both bands, said on ProgressiveEars.org that, "Jon [Davison] is free, not to mention contractually obligated, to put in all the time with Yes writing and touring that they require" and "Yes pretty much has their year booked and mapped".
"There's been talk and it's going around in circles and we're not really able to say much about it yet," the guitarist explains. "I'm happy to say I've always got music backed up, and in January (and) February I had time to do more of that with some fresh ideas and getting some demos going. Some of it's for my solo work, some of it's for Yes, potentially, so we'll see what transpires."
We've discussed the possibility of doing another album next year  [...] I think the appetite is there to do... you know, we've discussed it, and certainly I think Jon [Davison] would be a very useful contributor to that. And it would be nice to do an album with him. Because we did an album with Benoit, but we would also like to do an album with Jon.In a Mar 2013 Q&A for YesWorld, asked whether he is writing songs for a new album, Davison answered, "Yes, I am contributing ideas. [...] We are planning for a new album to be released sometime next year." Downes, in his in Apr, after answering a question about the recording of "White Car" on Drama added this comment: "I'm hoping to be able to contribute another vignette along these lines to the next Yes album. I think that might be an interesting route to go – more along the lines of say, the Fragile album." In an Apr 2013 interview, Squire described the band's writing methods generally:
Most of us have ideas that we start off individually and when we get together to produce a new album, people bring them to the studio. Some motifs and sections evolve into full songs and other ideas we may have a brainstorming session to try combining different parts to see if they’re complementary or if we can develop something entirely new around an idea, if we like it. There’s no one way we make Yes music; there’s a variety of methodologies we’ll try out in the studio.One rumour has that the band were working on new material as early as the end of Mar 2012, during tour rehearsals in Los Angeles (CA), when the band first got together with Davison. After the Apr 2012 tour, Squire stayed on for a holiday in Hawaii and is said to have written a song called "Paradise" with Davison, and Squire and Davison are known to have met up after the Apr tour and were writing together. Reports from the summer 2012 tour say Squire, Davison and White had written a total of 5 songs. Further reports in Sep 2012 described the band working on material during the summer tour and continuing to exchange ideas by e-mail since. These describe 8 songs as under development: the 5 from Squire/Davison/White that the whole band developed further during the tour; a group composition developed during the summer tour; a piece from Howe; and another piece from Squire (originating in the same 2006/7 writing sessions as "The Man You Always Wanted Me to Be", "Aliens" and further pieces on the Squackett album). An unconfirmed, Oct 2012 rumour named one Squire/Davison/White song as "Zenith".
Squire and drummer Alan White tell ABC News Radio they hope the band will record a new album with Davison next year .In an Aug 2012 interview for the Innerviews site, Squire said:
"[Davison is] capable of it and, he's got song ideas," maintains White. "Yeah, [it] looks like he'll be a great addition to the creative process moving forward."
Adds Squire, "He's a writer as well, unlike Benoit…So, that's gonna be a bonus."
We’ve started looking at possibilities for material for an album which we will probably record sometime in 2013. [...] Any new member that comes into Yes that contributes as a writer is always valuable. Yes is an evolving thing. It’s going to evolve further with Jon Davison’s input.Interviewer Anil Prasad then asked, "Fly From Here was based on a lot of historical material. Will the next Yes album focus on newly-written material?" Squire's reply:
Yes, I would imagine. There will be a slightly different concept. On Fly From Here, there was a desire on Trevor Horn’s part—as well as myself and Steve Howe—to revive [...] “We Can Fly From Here.” [...] I think the next album will be totally fresh and new. We’re hoping to work with Trevor again. I enjoy working with him a lot. I hope he’ll have the time to fit it in.
In a Q&A
for YesWorld in Apr 2013, asked generally about composing,
White said: "Composing is always interesting. I like the
creative process in the studio. It's always challenging to come
up with new ideas and a new adventure in the rhythm section when
composing songs with YES. We're always searching for something
Cruise & Camp
Mar 2013 saw the inaugural Cruise to the Edge (Facebook): a 5-day, prog-themed Caribbean cruise headed by Yes, starting and finishing in Fort Lauderdale, FL. As well as Yes, also appearing were Glass Hammer, UK (with Eddie Jobson, John Wetton, Terry Bozzio and Alex Machacek), Steve Hackett's Genesis Revisited II project, the Carl Palmer Trio, Nektar (who have recently worked with Steve Howe, Geoff Downes, Rick Wakeman, Patrick Moraz, all of whom guest on their new covers album, Spoonful of Time, and with Billy Sherwood, who has played live with them recently, but will not be in the line-up for the cruise), Ambrosia, Joel Hoekstra (Night Ranger, Trans-Siberian Orchestra, worked with Foreigner; with a band consisting of Eric Levy—keys, Virgil Donati—drums, Ric Fierabracci—bass), IOEarth, Zebra, Heavy Mellow and Brook Hansen (doing Yes and prog covers). Most bands did both regular performances and 'Storyteller Performances' (Q&A sessions, sometimes including musical performance). Roger Dean was also on the cruise, exhibiting work and doing a presentation, while Jon Kirkman hosted Q&A sessions and did a talk about his forthcoming book about Yes too. Writer Armando Gallo was also on board.
Although Davison continues as lead singer of Glass Hammer in
general and wanted to sing with both bands on the cruise, it was
decided that he would only sing with Yes. Some
sources described the situation as Davison's contract with Yes
for the spring tour (including the cruise) forbidding him from
singing with anyone else for the duration of the tour. However,
in an Apr
2013 interview, Howe described the situation
it was said the band had forbidden Davison to sing with Glass Hammer on the ship.
But Howe calls the story an “exaggeration,” [...] “There was a decision: we jointly, as a band, decided not to water it down – let’s all be Yes at that time. I won’t dabble with my thing and no one else will dabble with other things.
“When I saw how it had come out I went, ‘Yuck!’ I was uncomfortable. It should have just said – and it would have been more honest if it just said – ‘Yes members are only doing Yes on the cruise.’ It would have said the same thing in a much better way.
“There was a lot of logic in the decision and it applied to everybody, not just him. If we hadn’t make the decision we’d have been doing masterclasses, lunches, tap-dancing, using whatever other skills we had!”
Thus, Glass Hammer were fronted by former
lead singer Carl Groves for their performances. Tangerine
Dream were scheduled to appear, but had to pull out
because of ill health (Edgar Froese broke his jaw and hand, and
is not allowed to fly after corrective surgery); they were
replaced by Ambrosia. At the last minute, Saga, who were also
scheduled to appeared, pulled out of a full appearance because
of a family
tragedy, but some band members were on board.
Yes's current tour continues with 9 South American dates 16-30 May (support from Seven Side Diamond on 23 & 24 May and from Apocalypse on 26 May), covering Peru, Brazil (6 dates), Chile and Argentina. Two of the Brazilian dates (24 & 25 May) have already sold out and the Peruvian date was reported to have an audience of nearly 5000. The Peruvian set was [SPOILERS—highlight to read] Close to the Edge, Going for the One, intermission, The Yes Album, encore: "Roundabout".
They then return to North America for further dates 6 Jul-12 Aug (so far announced are 24 in the US and 1 in
Canada). The 13 Jul and 9 Aug shows have time limits and
shows. A Yes
Fantasy Camp also takes place during the tour, on 14-7
In an Apr 2013 interview, Downes said the band has touring planned for 2014. Cruise to the Edge 2014 departs Apr 2014 and Yes are confirmed again. On this year's Cruise to the Edge, Squire said there would be a European tour (including the UK) in May/Jun 2014, while another Yes member told a fan the tour would be in Apr/May. In his second YesWorld Q&A, Davison said there would "definitely" be UK dates in 2014, but not in 2013.
The band's spring leg saw
24 US dates and one Canadian date in Mar/Apr 2013. Rehearsals were
from the middle of the month through to 26 Feb in Los Angeles, CA.
During the tour, Yes also headline the Cruise to the Edge, a
prog-themed Caribbean cruise starting and ending in Florida, on
24-30 Mar 2013—see immediately above. The
tour sees the band play The Yes Album, Close to the Edge
and Going for the One in order, in their entireties
(but not in that order). They are only playing two albums in 5 casino venues with time
limits (1, 9, 22 & 24 Mar and 5 Apr); this is usually expected
to be The Yes Album and Close to
the Edge. (As Squire explained in this Feb
2013 interview, "It is a bummer for me because we wanted to
do all three albums everywhere, but you can't argue with the
man.") On their debut night, a casino venue, they played The Yes Album in
order, and then Going for the One in order, with
"Roundabout" as an encore (and "Firebird Suite" as the
intro music); the switch to
Going for the One for the second
album is because full band rehearsals were
delayed by a death
in Geoff Downes' family and the band felt more ready for
that album over Close
to the Edge. On most nights of the tour,
they have played: intro
music: "Firebird Suite", Close to the Edge in order, Going
for the One in order, intermission, The Yes Album
in order; encore: "Roundabout". However, there
has been some variation in the order of the
albums, e.g. on their third night and on 17 Mar,
they played the three
albums in chronological order, i.e. The Yes Album,
then Close to the Edge, then Going for the One,
and then "Roundabout". And
on 18 Mar, they played Close to the
Edge, The Yes Album, then Going for the One.
In an Apr
2013 interview, Howe discussed the order in which to play
There’s been a few internal ordering issues [with] different people thinking that we should do them in anything but a chronological order. [...]
Not playing them chronologically makes utterly no sense to me whatsoever. I’m not the only person who thinks that but not everybody thinks that. So there’s an internal combustion going on as usual in Yes where the order of the albums is seen to be something we can change. [...] To me, it tells a beautiful story of our naive, wet behind the ears ‘The Yes Album’ to our expansive ‘Close To The Edge’ development to our almighty reunion sense of openness and beautifulness with ‘Going For The One,’ with songs like ‘Turn Of The Century’ and ‘Awaken.’
They are a long way from ‘Perpetual Change.’ I love them all and they’re all dear to my heart [...] but [...] to me, it’s blindingly obvious [...] a no-brainer, if you like, that we would chronologically do the albums. But there’s another agenda and it’s a confusing issue. We keep changing it and trying it different ways around. Very rarely, do we actually go back to the logical chronological [sequence] which I think is perfect.
In a Jan
2013 Guitar International interview, Squire
described rehearsal plans:
We’re familiar with most of the material. The most difficult piece we’ve played but not that often is probably “Turn of the Century”. That’s probably gonna require the most work in rehearsal [...] We’re giving ourselves a good week to rehearse before we start the tour.
Prior to that we’ll do homework individually. [...] Check it out at home and then come together and rehearse as a unit.
The 1 Mar show was reported to have an audience of ~1,500, while
the 3, 5, 6, 16 & 17 Mar and 7 & 9 Apr shows have sold
out. The 14 Mar show sold 1,425 tickets, grossing $105,357. Patrick
Moraz was in the audience, a guest of the band, at one of
the Florida shows.
The 5 Mar show was to be broadcast live on AXS TV, but the
broadcast has been cancelled, with a plan (not yet confirmed) to
have an alternate broadcast later in the tour. A 7 Mar Facebook
post by the band explained further:
A member of the band had a personal tragedy shortly before the show. Rather than pull the whole show, the decision was jointly and bravely made, by the whole band, to continue the show but to cancel the broadcast.
It was not an easy decision and we're very sorry for any inconvenience this may have caused.
Our fans mean the world to us, and we're trying to get another broadcast in the works for later in the tour.
Asked in a Mar 2013 Q&A about the possibility of a live album from the spring leg, Davison said, "No, but possibly from another tour later this year."
In the Billboard interview, Squire described the
tour concept as "something we've toyed with and discussed over the
last 10 years from time to time". In the Vintage Rock interview,
asked what inspired the tour concept, Squire said:
We were [...] saying, “Next year, we won’t have a new studio album, so what’s a different angle that we haven’t looked at before for the live shows?” This idea has been on our back burner for a long time to do albums in their original sequence — so the time has come for us to try this out, see how it goes.
Explaining the choice of albums in the Guitar
International interview, he said, "It probably could have been any of
our albums. We just narrowed it down, probably
because we know the material of most of those." Answering a
similar question in the Vintage Rock interview, he said, "I think
they're a good cross section of Yes' career [...] All of these
albums marked a change in the band's career". Howe explained in a
2012 interview, "I came up with the idea that we should play
an album in full
[...] and then it went to two and eventually to three". In an interview
around Dec 2012, White described the choice of the three albums
as being fairly quick and explained that they rejected Fragile
because it has "some things in it that wouldn't appeal to the
whole band" and he gave "Five Percent of Nothing" as an
example. In the Guitar International interview, Squire
also explained why they passed over Fragile:
with Fragile, there are certain things that are difficult to pull off, particularly my solo on “The Fish”. Although I’ve done live versions of it in the past, they’ve been quite different from the actual album. I think that’s the purpose of doing it this way.
It was to try and emulate the albums and the order of the songs to come out the same way. We decided there wouldn’t be too much room for improvising.
White also said that he would love to perform Relayer, and Davison said in this
2013 interview that:
“Drama” did come up as a potential candidate. We’re confident that this event will go off well, which will hopefully encourage us to do further album tours in the future. I hope that all the classic albums eventually find their way to the stage.
In an Apr 2013 interview, Howe described the choice of albums further. He mentions an initial plan to pair Fragile and Close to the Edge, but then says that he'd pushed for including "Awaken" in the set last year, which led them to considering Going for the One.
Squire also mooted the possibility of future tours along the same
lines but involving different albums.
Jan 2013 interview for Billboard, Squire then says
they have "left a space open for later in the summer" to continue
the tour and that the next tour will then be to
promote the new album. In the Guitar
International interview, considering future plans, he says:
The logical thing might be to look at a different three albums. We’ll see how this one goes. We will also probably be looking at doing [i.e., touring?] some new material next year . We’re planning on recording a brand new album. That will probably be the focus [of touring?] in 2014.
He made similar comments in a Feb
2013 Rolling Stone interview, saying 2014's touring
will focus on a new album but that, "Maybe down the line we might
look at a different triple
set." The interviewer then suggests Relayer and Tormato.
Squire replies: "Yeah, both of those. Then, of course, there's the
Eighties Yes as well. That's something we haven't concentrated on
for a while, seeing how it was the Trevor Rabin era. We have a
wealth of material to pick from."
In another Feb
2013 interview, Squire similarly said: "I kind of suspect
that we won't do this [whole
album format] again for a while, because
probably by the time we get to our next touring cycle, we're
hoping to have a new studio album in the bag. So we'll probably be
concentrating more on promoting that in 2014. But then again, we
could maybe come back to this idea after that. We'll see." He also
added, "I'm pretty sure that maybe in 2014, we may reintroduce
elements of [the
album] 'Fly From Here' into a show that we do
In this Feb
2013 interview, Howe talks of wanting to do "To be Over" and "Sound Chaser". When
the interviewer mentions playing material from "more recent
albums such as Keys to Ascension,
The Ladder and Magnification", Howe
responds that, "They're something we'd like to incorporate,
possibly next year. Because, although we've ignored them quite
considerably, there are some times we say, "Oh, should we try
that one?" It's really been down to when it would be
appropriate to return to that era. [...] "Bring Me to the Power" and some of
the other songs on [Keystudio]
are really quite the cream of what we were doing then." He
also hints at re-visiting Tales from
Topographic Oceans, particularly "The Revealing
Science of God" and "Ritual". Then in this Apr
2013 interview, he said, "I hope we are going to return
to this juncture, and maybe play Fragile,
Drama and some
In a Mar
2013 Q&A, Davison talked of wanting to sing "The Gates of Delirium" and "Survival",
while in his
in Apr, Downes talks of playing all of Relayer, Drama or 90125,
and in response to one question said, "Drama
live? We’ve talked about it!" To a question suggesting
the band play "The Remembering", he
I think you’re right; ‘The Remembering’ would be an interesting choice [...] But there are also so many other hidden gems on the albums that have been historically been overlooked by the touring band over the years. Talk, Big Generator, Union, The Ladder, & Keys to Ascension also have some killer tracks. How about ‘Mind Drive’ as a suggestion? ☺
Asked about playing '80s material in his May Q&A for YesWorld, Davison replied, "I think it would be really fun to perform Changes, It Can Happen, and/or Shoot High Aim Low." In Downes' second Q&A, he said, "whilst we are currently focusing on the 70's Yes, there was some great music came out in all chapters of the band's existence [...] Personal favourite is "Changes"", while White said to a fan in Apr 2013 that the band had considered playing the piece, and that he would also like them to perform "Endless Dream".
The North American tour in Jul/Aug 2012
was with Procol
Harum in support; Yes played 2 hours at most shows. There
were 29 dates:
they began in Ontario, Canada on 10 Jul (without Procol Harum),
then played US dates 13 Jul-19 Aug, and finished 21 Aug in Mexico
City. Davison, as well as singing, also sometimes played a
keyboard, additional percussion or acoustic guitar. Annie Haslam
(Renaissance, worked with Steve Howe, Billy Sherwood)
attended the 22 Jul show, which was reportedly sold out. Davison's
Glass Hammer colleagues attended an Aug show; Trevor Rabin
attended the 15 Aug show and Billy
Sherwood also attended an Aug show. The set
stabilised as the tour went on, e.g. the 4 Aug set was:
"Yours is No Disgrace", "Tempus Fugit", "I've Seen All Good
People", "America", Howe solo ("In the Course of the Day",
"Leaves of Green" with Davison), "Fly from Here", Wonderous
Stories", "Heart of the Sunrise", "Awaken"; encore: "Roundabout".
The 14 Jul show was reported to be nearly full (capacity 2890).
The 17 Jul outdoor show was at a festival; Downes tweeted that it
had sold out 5000 tickets. The 18 Jul show sold 1,395 tickets
($97,227 gross); 27 Jul show sold 1,617 tickets ($99,295 gross);
the 29 Jul show sold 1,919 tickets ($145,411 gross); and the 14
Aug show sold 1,981 tickets ($90,270 gross). One fan estimated
attendance at the 24 Jul show to be ~1100, at the 31 Jul show to
be 3500-4000, and at the 7 Aug show to be ~3000. The final date
(21 Aug) in Mexico sold 2,826 tickets ($131,065 gross).
In a Jun 2012 interview, Squire said that White had suggested including "Perpetual Change". In one of the Jul 2012 interviews, Squire said:
Son ideas que hemos estado hablando, que se cocinan a fuego lento, que se desarrollan. [...] No van a pasar ni este ni el siguiente año (del 45 aniversario), pero mantengan los ojos y los oídos abiertos, que algo escucharán de estoAsked about the possibility of Anderson returning to Yes in a May 2012 interview, Squire referred to a possible residency on Broadway, as well as saying an album with Davison is likely:
[My translation: These are ideas we've been talking about, which are on the back burner and developing. [...] It is not going to happen this year  or the next (the 45th anniversary), but keep your eyes and ears open, you will hear something about this.]
Interviewer: I read that there is a possibility of “Yes on Broadway” in 2013 to celebrate the band’s 45th anniversary [...]Back to Innerviews for more from Squire:
Squire: Ya, I don’t know how this rumor really got started. It was something that we were discussing as a band that maybe, at some point, to do a history of Yes sort of show and possibly have all of the previous members come in and do bits here and there. But it’s kind of a backburner thing. It’s not really something that’s going to happen this year  or next. But it’s something that we’ve been talking about for a while, so don’t be surprised if in 2014 something pops up.
It’s [...] on the back burner while we mull it over. The idea is to do a history of Yes concept, including past and present members, if it was physically and financially possible. [...] We were looking at Broadway as opposed to Las Vegas or Atlantic City, which is where people try to do residencies. [...] we put this idea out there to see if someone who controls the theaters on Broadway would come to us and suggest something. We’ve had a couple of enquiries, but it hasn’t gone that far. [...] Next year , we’ll be looking at doing a new studio album [...] So, this idea may not surface for awhile.In an Aug 2012 interview, White may be alluding to the same or a related idea:
As for Anderson coming back, "we haven't put that out of our minds at all," White says. But if it happens, "I've got a feeling it won't be these long, arduous tours, maybe just some one-off gigs in big cities and stuff like that."
And for these special occasions, "I think we probably would have Jon there, too, the other Jon [i.e., Davison]. He's that nice a guy. He'd work with us on it and be part of it."
Sep 2012 interview asked White whether he would like to play
with Anderson again. The reply (seemingly translated into Greek
and then back into English):
It would be great to play with Jon again but you know, he’s doing his own thing. Now, we have a new singer in Yes. I see the reason of playing with Jon again in a special concert or in a special occasion. In very special gigs around the world like New York, L.A.. That kind of things.Fly from Here
|Fly from Here
|When||22 Jun (Japan physical release), 1 Jul (Europe; Australia;
digital release in Japan), 12 Jul (US/Canada), 5 Aug
(Brazil). UK and Irish retailers generally listed 4
Jul. French release in practice occured in Jun.
||Electronic press kit for the album|
|Who||Chris Squire: bass, vocals, lead vocals on (7)
Steve Howe: electric & acoustic guitars, steel guitar, mandolin, vocals
Alan White: drums
Geoff Downes: keyboards, piano, Hammond
Benoît David: lead vocals
Sleeve design: Roger Dean
|Produced by Trevor Horn
Engineered & mixed by Tim Weidner
except (10) engineered by Curtis Schwartz/Steve Howe
Oliver Wakeman: additional keyboards (2, 6, 9)
Trevor Horn: additional backing vocals, keyboards and (on 3) guitar
Luís Jardim: percussion
Gerard Johnson: piano (7)
1. "Fly From Here - Overture" [Horn/Downes] (1:53)
2. "Fly From Here Pt I - We Can Fly" [Horn/Downes/Squire] (6:00)
3. "Fly From Here Pt II - Sad Night at the Airfield" [Horn/Downes] (6:41)
4. "Fly From Here Pt III - Madman at the Screens" [Horn/Downes] (5:16)
5. "Fly From Here Pt IV - Bumpy Ride" [Howe] (2:15)
6. "Fly From Here Pt V - We Can Fly Reprise" [Horn/Downes/Squire] (1:44)
7. "The Man You Always Wanted Me to Be" [Squire/Johnson/Sessler] (5:07)
8. "Life on a Film Set" [Horn/Downes] (5:01)
9. "Hour of Need" [Howe] (3:07)
10. "Solitaire" [Howe] (3:30)
11. "Into the Storm" [Squire/Wakeman/Howe/Horn/David/White] (6:54)
Japanese CD bonus track:
12. "Hour of Need (full-length version)" (6:46)
|"Fly from Here" is based on the 1980 Buggles/Yes song "We
Can Fly from Here" and further parts by The Buggles in c. 1981. "Life on a
Film Set" is a version of "Riding a Tide", a c. 1981 Buggles demo.
"Solitaire" is an acoustic solo piece by Howe.
Digital-only single of "We Can Fly (Radio Edit)" (4:15); music video viewable on Facebook
|How||Frontiers Records in Europe/US;
Avalon in Japan
|Variants||CD (FR CD 520);
limited edition CD + DVD Digipak (FR CDVD 520);
LP (FR LP 520;
now sold out); box set with CD, DVD, LP, T-shirt (L size),
poster and lithograph of cover art (FR BS 520)
DVD content (Japan, Europe): making-of documentary (18:30 duration). The Japanese release has non-optional Japanese subtitles.
national chart positions
I would say it was more Trevor's opportunity—if we get back together, why don't we do that? Because we had talked about that at various times. It was never a finished song, and it was only available as a live song on an obscure volume three or volume four box set somewhere. So yeah, maybe it is a bit of a funny idea, but maybe they[ fans]'re missing the point. The reason we liked it is because it was already there. We hadn't really exploited it, and if we'd only played it as a three-and-a-half minute song like it was before, it would be fair criticism, but we took that and combined it with other songs like my instrumental "Bumpy Ride." [...] into actually the biggest piece we'd ever released at 25 minutes [...]In an Apr 2012 interview, Downes said the following about the recycled Buggles material:
You asked me about my initial thoughts [when they started work on the album]: I knew what that was, you know what I mean? So I was familiar, and I was quite relaxed because it was part of the Drama story that didn't get concluded. So yeah, I think it was very much Trevor who made the offer of, 'Oh, I'll do that with you at least.['] And because to get Trevor involved at that stage in the whole album, we had to concede that he was in tune with our material. But the way it transpired with the album was far more complex than anybody would have imagined. It involved Geoff joining the group, involved us going through a pretty big investment into how we were going to make this record after ten years of there not being a Yes record. It was quite weighty in its sensibility because it was a good step to take but a slightly precarious and dangerous one. People have turned their backs on these kind of albums before. I think there were a few bands who do it thinking they would go up the charts, but it did rubbish! (laughs) We slightly reinvented ourselves—well, not slightly. We did reinvent ourselves, and we've slightly been able to bring ourselves closer to carrying on the legacy that's had a hole in it for ten years. So it's a pretty good showing, I would say. And I love being able to put "Solitaire," my solo, on it, and also "Hour of Need," which is another song I'd had floating around. So basically, there was room to collaborate and work, and it was a pretty healthy environment. It wasn't all easy, but as I said somewhere else, nothing good comes easy. (laughs)
Interviewer: Since this tour interrupts recording progress, does the time away offer perspective that will affect what happens next?
Howe: [...] There are two schools of thought. In one, you start making an album, and then you never stop until you completely finish it. The opposite of that is you do tracks, and then you come back to them. [...] So, you’re always thinking fresh. You’re not thinking, “God, I’ve been on this record for three months. I just want to stop hearing it!”
This is how we made our earlier records, and it may prove to be a much better way. [...]
Close to the Edge, Fragile
and The Yes Album were made as we lived and toured,
and stopped and started. I think, most probably, they were
better because of it. They benefitted from renewing that fresh
I would say that it [the new album] has turned into a good team record. I really hope that we all like it as much as we think we do at the moment. The collective enjoyment is very important.
It might be a little bit closer
to Drama than we actually thought before. That might
be due to the fact that Trevor cares a lot about the music. He’s
a great writer, and has written some songs with us. [...] I
don’t think [the album]’s very predictable. I think people are
going to go, “Ouch! Ooh!,” in surprise. I don’t think they’re
going to go, “Oh, God, it’s another Yes record.”
[After praising The Libertines and the first Babyshambles album] I still need to have rock energy in music. Not in the same way, but I hope with the new Yes album that we’ve carried that rock message. Forget the poncing around with all the arty-farty music. Yes is fundamentally a rock band.
discussion & longer term plans
In a Mar 2013 interview, White had this to say about the possibility of Anderson returning to the band:
"I haven't put it out of my mind that it's a probability," he says. "We'll see down the line. I don't think it will be for a whole period. I think it will be for some specialized gig like New York, L.A., or London, that kind of a thing."
Despite Anderson seeming a bit bitter about the band recording its first album in ten years without him [...] White says there is no bad blood between them. "I spoke to Jon a few weeks ago," White shares. "He's a 49ers fan, and I'm a Seahawks fan, and we were having a conversation totally about football."
In an Apr
2013 interview (in Spanish), Squire was asked about the
possible return of Anderson, Bruford, Wakeman and Moraz. His
answer (translated): "Not at the moment, at least not this year.
Perhaps in the future, there is a possibility of doing something
with them again."
In an interview
from around May 2013, Anderson said:
[...] I said to Chris the other month, if Geoff [Downes] and Jon [Davison] are in the band too, I don’t mind, you know, we can all work together. I’m very open. I think the music is more important, and the fans are more important than all that “I want the band to be my way” business. I was never into that. And I’m always very open for things to work out okay.
Rick is a very important part of the group [...] I think that it’s important that he should be involved as well.
And I spoke to Alan a couple of weeks ago. So we’re in touch, and when the time comes, when the stars align, we’ll probably be able to get together and perform together. I don’t see myself going on crazy tours for months on end, I don’t see the point in that—we’re all a lot older, and I hope a lot wiser. We should do shows here and there and we should make sure the shows are very important and very, very well produced
In a Q&A
for YesWorld in Apr 2013, Howe said:
The current members of Yes respect and regard and appreciate the enormous contributions that our past members have made, not the least of all Bill Bruford, Jon Anderson, Rick Wakeman, Patrick Moraz, and the late Peter Banks, Billy and Trevor and so many people and they’ve all been contributing to the past. And what you have now is the Yes that is functioning because of multiple reasons: we want to, we’re able to, we have the energy, and we love the music.
And in an Apr 2013
interview, Downes said:
who knows, as regards Jon Anderson? It's something that's not really in my control. I've not really ever worked with Jon Anderson. So I know the other guys speak to him from time to time. So it's not... people say it was an acrimonious departure--probably not as much as people might think.
The article continues:
does it seem like it's healed over time, if indeed there was any acrimony?
"I'd say so, yeah. People get on. [...] when you get to your 60s, you don't want to be carrying too many grudges around with you (laughs)."
And in his Apr
2013 Q&A, Squire's answer to the familiar question
I’ve always said it’s never out of the question that there’s a possibility we could put together something that would involve Jon [Anderson], and I think Jon would be open to that, as well. At the moment, of course, we’re very busy with [...] Jon Davison, and doing a lot of touring work [...] looking at making a new YES album with Jon Davison [...] Going into 2014, there are other possibilities that might open up, but we haven’t detailed them yet.
In an Oct
2011 interview, Howe summarised the last few years for Yes:
And here's an interview
with Squire conducted Dec 2012 where he also summarises the last
Interviewer: [...] How difficult was it to find someone to fill in for Jon Anderson and do you think you'll ever work with him again?
Squire: Of course it was real difficult. [...] [In 2008,] we hadn't worked live for really four years. Jon was going through some medical issues and we were hoping Jon was going to come through that [...] We did set out to do a tour in 2008 with Jon. Just before we started rehearsing for the tour Jon had taken ill and I think at that point we had realized that we couldn't keep everything on hold and that's why we went with [Benoît David] [...] Then the end of last year  he just sort of decided it wasn't really for him, he had various reasons why he didn't want to be away from home. It was sad that it happened, but fortunately we got together with Jon Davison, whom is really excellent, he's probably the closest thing to a great replacement of Jon. Jon Anderson is a landmark singer, you're never going to be able to replace what he brought to the band, because it was more than just his voice. It was us working together writing wise, so that dynamic is obviously going to be different with Jon Davison. [...] [W]orking with Jon Anderson again, I never turned my back on the idea. As far as I know he's not really physically able to do a hardcore rock n roll tour. If we do anything in the future it'd be some special event that was set up for that or maybe a couple of events. Right now Jon Davison just got on board so we'll work with that.
In a Jan
2013 interview, Squire said he had received a Xmas card from
Anderson and "will return the favor in the new year." He goes on
to say, "I want to say that one day it might be possible we could
do something again. I wouldn't close the door on that." Asked
about working with Anderson again in this Feb
2013 interview, Squire replies:
I always say in interviews that I've never closed the idea on working with Jon again. It would probably have to be some sort of speciality kind of set, a limited engagement kind of thing. I guess, right now, our plan is to do this [spring 2013] tour and then record a new album with Jon Davison towards the end of the year. Then we'll be out promoting that.
So, there's always an open door after that if we want to look at doing something with Jon. But, of course, it also depends on how he feels about it.
2012 interview asked Howe: "Asia is a band that works so
well with the original four, and not nearly as good without the
original four. Yes, however, is a band where everyone, at one time
or another, has come and gone, including you, yet it still works.
What is the difference between the two?" His reply:
It must be personalities. Asia had a long break where we didn’t do anything and Yes has perpetuated all of these years. That has required people to come and go and it has meant we need to get new blood sometimes, as well.
Asia is really quite different as it doesn’t work unless it is the original guys. You could claim the same for Yes and say that we should bring back the original guys, but Bill Bruford is, sadly, retired. Peter Banks and Tony Kaye are both very good musicians, but it wouldn’t be the same as what we do now, or what we did in the past. Yes and Asia are very different kinds of creatures, really.
Later in the same interview, he is asked if Anderson and Wakeman
will ever work with the band again:
Well, how in the hell do I know? I wouldn’t particularly say that it is on the agenda. People have said the cliché like we have burned bridges and all of that.An interviewer in Nov 2012 said to Howe, "I interviewed Jon Anderson a while back and he was quite upset that Yes toured and recorded without him." Howe's reply:
We are realistic people, so in the sense of realism, for Yes to evolve, we had to be a strong group and we had to have people who were committed to it to warrant a position in the band. In other words, if you come in and say to Yes, “I play the drums but in Yes I am going to play the bongos.” We would say, “But we want a drummer.”
You’ve got to be able to provide the full story. [...] everybody in this group needs to accept that we look at the entire career of this group. We don’t just look at little pockets when certain people were in the group—we don’t do that anymore. [...] Of course, we do focus a lot on the ‘70’s but there were a few lineups there.
In a way, that is the commitment. It is not about Jon and Rick now. It is about who can do these tours and who can perform the repertoire from 1968 to 2012. If you can do that then you have an opportunity to be in Yes. I’m not going to say Rick and Jon can’t do that. I will say that I don’t think that is what they want to do. But that is what Yes demands. We want artists who can come in and perform with an open heart right across the board. I guess that is the key to it.
We were upset for several years when he wouldn't tour. It wasn't only because he had not been well. We were very sympathetic to that. When he was well, he went out and did Yes songs on his own. I'm not saying it is tit for tat. What I am saying that the circumstances have changed. Yes has toured with Jon Davison singing and it was very successful. We are going to continue with Davison next year . I know people would love to see Jon Anderson, but it's about does it work. Do we want to honor each other's position? Nobody leads Yes. Yes does not have a single, solitary leader who says I am the leader of the band. It's a team. We have pushed forward and we haven't had anyone going home unhappy or asking for their money back. We deliver what Yes is supposed to do.In a May 2012 interview, again asked about a reunion with Anderson, Squire said:
I would never close the door on
that possibility, but we're in the throes of promoting our new
album and Jon Davison is doing a good job with that. If anything
in the future happens regarding a possible collaboration with
Jon [Anderson], I'm sure we'd look at it, but right now we're in
a good place and not even thinking about it.
However, he also talked about a possible Broadway residency that
would be in collaboration with Anderson and other ex-members: see above for more. He also supports the
interviewer's suggestion of a get together if the band were ever
inducted into the Rock and Roll Hall of Fame, saying: ""That would
be fantastic, wouldn't it? It would be great to get every member
up there onstage. Fortunately, I think every member is still
alive, so they shouldn't wait too long." In a mid-Jun 2012
interview, asked about a "reconciliation with Jon Anderson",
Who knows? One time, hopefully,
we can, erm... get back together with Jon. Whether it'd be for a
just a few specialised kind of... y'know, the shows are an
occasion, and not much like a whole tour, will probably be the
case [...] I'm still great friends with Jon. And he's just happy
doing his solo thing.
The interviewer then says she spoke with Anderson last year and
that he's ready, to which White replies: "I wouldn't count it
In this Jun
2012 interview, on the possibility of Anderson returning,
I don't consider, er, closing the door on the idea of doing something with Jon again. It's just he himself has said that he couldn't commit to the kind of schedule it takes to do a Yes tour.
And on the same subject, a Jul
2012 interview has this:
Squire leaves the door open to
working with fellow co-founder Jon Anderson [...]
"Of course, he would want to have to do it," Squire said [...] "But it would be probably a little bit different. Because I'm not sure if he'd be up for doing the hard slog, a long rock 'n' roll tour, at this moment. But I'm sure there's a good possibility we could do something together in the future."
Being the cordial chap that he
is, Squire doesn't rule out any possibilities.
"Well, the funny thing is that more by default than desire, I've sort of been there the whole time," he said. "And various other members like Jon and [...] Rick Wakeman, for instance, have been in, they've been out, they've been back in, they've come back again. So, it's really par for the course with Yes. That's sort of a pattern. I wouldn't object to working with any former member of Yes, really."
And in another
You know, I’ve never closed the door on doing something wi[th Anderson] again. But we’d have to see how that could be done. The setting would have to be right for that to occur, because it would be a shame to build up a new Yes lineup with Jon Davison and then bring Jon Anderson back in. That would make what we’re doing now seem like a secondary project. Even if we had him just in for a few dates, the business side would be pressuring us: Can you do more, can you do an album? It just may not ever happen. But, having said that, I haven’t closed my mind to it.
while Squire insisted that, “At the moment, we’re not thinking about doing anything with Jon Anderson again,” he seemed to take a “never-say-never” approach.
“It’s a possibility that we might do it one day,” he said, “but at the moment we’re out promoting ‘Fly From Here’ and introducing Jon Davison to people.”
2012 interview with White said:
As for Anderson coming back, "we haven't put that out of our minds at all," White says. But if it happens, "I've got a feeling it won't be these long, arduous tours, maybe just some one-off gigs in big cities and stuff like that."
And for these special occasions, "I think we probably would have Jon there, too, the other Jon. He's that nice a guy. He'd work with us on it and be part of it."
In an early Sep 2012 interview for GTFM radio (Wales), the
interviewer asked Downes about Squire having said he is "open" to
Anderson returning. Downes replied:
What Chris might say in an interview might (a) be misinterpreted or (b) might be something that, y’know, he might want to… erm… not really mean what he’s saying in that respect. Certainly, at the moment, I don’t see that being a possibility, but you never say never in those circumstances. There may be some level whereby there is a kind of a Yes reformation some time down the line in the future, similar to the Union situation, maybe. But certainly I think that the level of touring we’re doing at the moment and the intensity of dates, I don’t think would probably suit Jon Anderson, not that I know him particularly well
Feb 2012 interview with Squire on Davison replacing David
also had this:
In a Jan
2013 interview, Anderson was asked, "Will there ever be a
chance at reconciliation with Yes that could result in a new tour,
perhaps even a new Yes album?" His answer: "I would love that to
happen!" He said more in this exchange from a Feb
Interviewer: A few months ago[...] Squire [...] told me that he's never turned down the opportunity to work with you again, but currently your health is too poor to do an extensive tour. How is your health [...]
Anderson: Yeah, I nearly died a couple of times. My health is very good. The bizarre thing is I sing more on stage now doing my solo shows than I ever did with Yes. I sing and talk for an hour and three quarters. Chris just wants to own and control the band, that's his life. I wish he'd have called the band something else, it would have been more real, but bands do it, Journey carried on without their singer. I wish them luck; it's not my idea of Yes, obviously. My idea of Yes is "Open" and what I'm doing now. Emotionally I haven't left Yes at all. [...] I still have a great feeling about the future of my idea of Yes music. I'm still committed to the wonderful Yes music we've created over the years. I want to continue to make that kind of Yes music [...]
Interviewer: [...] Are you open to the idea of an extensive tour with them?
Anderson: I wanted to tour in 2009 when I got better and they said no. They turned me down. They said maybe next year. That's kind of bizarre to me that they'd say they already had a singer, six months later that singer, probably a lovely guy, couldn't handle the touring, because it's so hard. Now they have another singer, they didn't call me or ask me if I'd be interested, they just say oh he's sick, which is a lot of rubbish.
Interviewer: Would you ever work with them again?
Anderson: Sure, I'd love to. There's no reason why we shouldn't bury the hatchet, get together and make some music and do something very special for all the Yes fans around the world. And there are thousands of people who would like us to get together [...] Rick would have to be in the band. There's no point in just me. We'd probably do some shows or something, some beautiful new music [...] we could make a movie or something like that, just to honor all the fans.
2013 interview had this:
Anderson says he’s made overtures about joining the Yes fold again [...] His only condition [...] was that [...] Rick Wakeman return as well. [...] Chris Squire and [...] Steve Howe, Anderson adds, weren’t interested.
“Chris and Steve like to have control of things. That’s what they want to do,” Anderson says. “I’ve said two or three times, I’d love to get back together — as long as Rick is back in the band. They don’t seem to be hearing that, at the moment. Maybe, one day it will happen. We’ll see.”
He had earlier in the interview given his view of the current
They’re carrying on[.] Fans have lost interest in the whole concept, anyway. It’s what it is. It’s going to go the way it’s going to go — that’s really all I can say. I think a lot of people are just disappointed, like I was, that it’s lost that impetus that made Yes music so beautiful and different.
He also commented that he hasn't heard Davison singing, but he
said of David: "I heard Benoit when someone sent me a link on
YouTube, and he was singing pretty good. He's a good singer, but
he was having a tough time after a year on the road. Singers, it's
a very physical thing, and they are the most affected by long
In the wake of David's departure, it was reported that an attempt
was made to reach out to Jon
Anderson, but that Anderson would not talk and no discussion
with him took place (see, for example, here
on Yesfans.com). In response to earlier, erroneous, online reports
that he had been asked to re-join, Anderson released a statement
on 8 Feb, from which I quote:
Interviewer: Because of your health issues,
Yes decided to tour with a replacement vocalist. Can a band
still call itself Yes and not have Jon Anderson singing?
Anderson: No, it's never going
to be the same band. And they've just announced this week that
they had to get yet another singer after the guy who replaced me
became ill. I've told them that since I am healthy again that I
would to get back with them. I told them that I wanted to create
new music, but they don't want to do that. They just want to go
on the road and make money. They don't care for the integrity of
the band. I feel they have let a lot of fans down. They're just
in it for the money.
In the wake of David's departure, it was reported that some sort
of attempt was made to reach out to Anderson, but that he would
not talk and no discussion with him took place (see, for example,
on Yesfans.com). In response to earlier, erroneous, online reports
that he had been asked to re-join, Anderson released a statement
on 8 Feb, from which I quote:
“A couple years back he [Anderson] did have some problems with his voice and problems with his breathing. It became a little obvious that he was reticent to want to commit to do any large-scale touring,” Squire said. “The rigors of going on the road as a lead singer, it’s a very difficult job. So, at the moment, we’re concentrating on this lineup.”
[“]Benoit has certainly grown into the job very well. He manages to pretty much pull off most of what Jon does, if not all,” Squire said. “Jon Anderson is a great singer and still is a great singer and obviously very difficult to replace, but the fans seem to have embraced Benoit [...]”
2011 interview had Squire giving this explanation of how
Anderson was replaced:
Squire says the group moved on
without Anderson after the vocalist developed serious
"We took some time off in between 2005 and 2007 for Jon to get treatment for that condition," Squire says. "Then in 2008 we agreed to go on tour and Jon was up for it. But just before the tour started he got very sick and we had to cancel the tour. At that point we had to make a decision to bring somebody else aboard in order to carry on working. It's as simple as that, really."
In an 18
2011 interview, Squire said:
My standard answer [...] is
that there’s no door closed on the possibility of that [Anderson
re-joining] happening. Um, but you have to remember that,
y’know, Jon did go through some quite severe respiratory
problems, and I think he’s doing pretty well now. But, erm, the
rigours of being able to do a large tour with Jon are probably
gonna be a bit more than he’s capable of. But, y’know, we’ve
always talked about doing some selected shows
In a 28 Jun 2011 radio interview, asked again about the
possibility of Anderson returning, Squire protested the question,
saying the band's focus "for the next couple of years" was touring
in support of Fly from Here,
but that after then, they could think about working with Anderson
again. In another Jun
interview, Squire said:
I’ve never closed the door on
the possibility of working with Jon again. He has left and
rejoined the band on a couple of previous occasions. It could
happen again. But right now, having just finished the album and
the fact that we’re all pleased with it and the reviews from
outside all seem to be very positive, we’re at least going to
spend the next year or two going around the world and promoting
and playing live. [...] Ask me again that question in a year’s
time and I might have a different answer.
"Those [the Anderson/Wakeman
shows] were all fairly lightweight, acoustic kind of shows,"
Squire says. "Singing for Yes is a very taxing position and I
don't know Jon's abilities to do a heavy rock & roll tour."
[...] Squire insists that there is no bad blood between Anderson and the rest of Yes. "We exchange Christmas cards," he says. "I'd be happy to work with him in the future. I'm proud of the fact that we started this thing together. If there's a way in the future that we could work together, and it's something that's comfortable for him and everyone else involved, I'm certainly open to looking at it."
In a different Mar
2011 interview, Howe said: "It's got a lot to do with
commitment. We didn't want Jon to leave, and we didn't want Rick
to leave, but basically, they didn't want to be part of the
party." He then continues:
[David and O. Wakeman] They’ve
brought [the Yes] sound. It’s quite a similar tone, and that’s
helped us maintain a familiar sound[.] You shut your eyes, and
you think it’s Jon and that’s never happened before.
We didn’t go out with a sloppy show with a singer who couldn’t deliver. I think the audiences have been impressed by Benoit and, thankfully, have accepted him.
And there is this from another
interview with Squire that month:
A reunion of the two original
Yes men [Squire and Anderson] might happen.
But don’t expect it anytime soon.
“I don’t see why not,” Squire said. “That door is always open.”
He added, “But that would be something to look into two or three years from now.”
And Squire in a 22
Mar 2011 interview, asked about Anderson:
“We always exchange Christmas
cards,” Squire began with a hearty laugh, “but I haven’t spoken
to him recently. I don’t have any problem with communicating
with him, I believe he’s doing very well and is a lot more
recovered from his respiratory problems he was having, so that’s
“It wouldn’t be out of the question that we would do something with him again in the future, but we’ve got to get at least another year and promote this new album before we turn to any special guesting from Jon — but it’s not impossible to happen.”
with Squire from around Feb 2011 has the following:
When asked how Yes keep things
fresh [...] Squire chuckles and says bluntly, “[We] change the
other guys in the band.” [...] Squire is matter of fact about
the circumstances that led to Anderson being replaced as well as
the number of fans who are upset about the change. “I find that
to be the minority of people at the moment, as far as I am
concerned. Obviously, there are going to be people who will miss
him or whatever but life must go on. Believe you me, if Jon was
up and his health was good, then it would be a different
situation, but that is not the situation. We decided at one
point to go one with Benoit. Otherwise the band would have just
slipped into obscurity.”
[...] “We were very lucky to
find someone [in David] who can basically do the job. He pretty
much has all of the ideas surrounding the job as well,”
Some 2009 reports had Anderson (and maybe R. Wakeman) returning
to the band at some point in 2010, but this did not happen.
Anderson has said that he told Howe/Squire/White that he was ready
to return to the band in 2009, but they told him they would stick
with David. Squire was interviewed in Oct 2009 on Planet Rock
Eventually we said to Jon, y'know... we've been trying to plan tours, and then he said yes and then it was off again. And then we were going to do a big tour [in summer 2008] [...] Just prior to going into rehearsals, Jon had a real problem [...] After that happened, we said, well, y'know, maybe we just need to get, at that point, a stand-in for him, so we can carry on.
I don't think he is going to be able to do large-scale rock and roll touring again.
COMMENTING on a recent Yes concert, one reporter said
that the voice of Jon Anderson was missed, it was a pity that
he was still ailing.
“I sent him an e mail straight away,” Jon told me
recently. “Not only am I no longer ailing, but I’m healthier
“I’d actually been ill for about five years [...] it got
to the point where I couldn’t continue.”
“I had to take a complete break and ended up having six
But Yes [...] wouldn’t wait for him.
“[...] they recruited a guy from a Canadian Yes tribute
band and went on the road with him. I felt that they could
have waited until I had recovered.”
“When you go through a serious illness, you need to see
if you can perform again, so I’m doing about one show per
week. It’s a lot less of a hassle and it’s a kind of rebirth
But have Yes included Jon in their plans for a
forthcoming UK tour?
“I said to them that I was available, but they said they
were contracted to Benoit [...] It’s a complicated situation.”
The ‘complicated situation’ obviously rankles a bit.
“I think it’s inappropriate and not respectful to the
fans.” Jon said. “They shouldn’t have used the name. By all
means go out on tour, but don’t pass it off as Yes because
I love Chris [Squire] like a brother and wish only the best for him. But I think Jon is such an important part of YES, and it's not just the sound. It's the input and perspective that Jon brings. It sometimes is tough, but it's so worth it.Billy Sherwood was asked about the "situation" with Yes and Asia in this late 2012 interview, and replied:
I have and like any fan of the music one has their favorites of this or that.... That said, it's not my business how bands evolve, who should be there and who shouldn't. i just enjoy the fact music is being made.And then asked about working with Yes again, he said:
With Yes I have learned to never say no lol... Anything is possible, every time I thought I was finished working with the band it would then re-enter my world in some significant way. I have no plans to re-join or produce etc... but I didn't have that plan when it came at me in the past so.... let's leave it at who knows.As for the future, in the Dec 2008 article, Squire said age would not slow them down: "There are classical musicians who perform into their 90s. I don't see why that can't be the same for people who play rock 'n' roll." In the Mar 2012 Classic Rock, Squire floats this possibility, once suggest by R. Wakeman around the time of Union:
Yes has certainly stood the test of time. We’ll see what happens down the line. It’s possible there might be a Yes band 100 or 200 years from now, much in the same way cities have symphony orchestras that have been around. [...] the name could be kept and you could have new musicians come in. [...] Yes isn’t necessarily contingent upon my presence. By now, people know what my contribution to the band has been, both in songwriting and playing. Of course, I can be emulated and my style can be borrowed from for any future bassist or secondary vocalist for the band. I’ve thought about it a lot, and this could be a possibility looking toward the future.Animated film project: Roger Dean's "Floating Islands" film or something else
Hace poco la compañía Universal Pictures se mostró interesada en hacer una película de animación en la que se muestra un poco de nuestra trayectoria musical, desde cuando surgimos, hasta la actualidad, incluyendo obviamente, nuestras canciones más representativas. Lo estamos analizando, todavía hay algunas puntos por precisar, como la historia, de qué trataría y cómo se abordaría, cuáles etapas de la carrera se incluirían, las canciones, pero creo que es muy pronto para hablar del tema, esperemos pronto poder dar más detalles. [...]An Aug 2012 interview with the same newspaper, Reforma, raises the idea again, along side plans for a live residency by the band. The article is not specific, but Squire seems to respond that both ideas are being considered, but will not occur in 2012 or 2013. See details above.
Son muchos años, muchas anécdotas que contar, creo que tendríamos que seleccionar muy bien lo que quisiéramos abordar, porque una película, comúnmente tiene una corta duración, cerca de dos horas y es muy poco para contar tanto, ya casi cumplimos cincuenta años de estar juntos.
It is unclear whether Yes are involved with current planning for
"Floating Islands". The film is expected to feature music by the
band. Asked in the Mar 2008 interview about Yes making some music
especially for the project, Dean replied: "all members of the band
have spoken enthusiastically about doing that. [...] That's
definitely what we would like." He goes on to say he would like
both existing and new songs, and discusses the options for either
existing or new recordings of old songs. He talks about both
"Awaken" and "Soon". Back in Jun 2007, Dean had said that Yes are
not currently involved with the project beyond authorising the use
of their music. A report from around 2005 had that the film is
intended to contain 8-12 classic tracks (a re-recorded "Close to
the Edge" was mentioned in one rumour) and at least 4-5 new
recordings. In Jun 2007, Dean confirmed there had previously been
discussion of Yes writing new music for the film and that the band
had been thinking of "re-recording everything" (presumably meaning
re-recording classic pieces), but that there hadn't been any
discussion of new music recently with Yes then being dormant.
Further back, there were more reports from Yes about contributing. In a Dec 2004 Delicious Agony interview, White said, "We're starting to write music for it." In his Christmas Newsletter 2004, Wakeman said: "There are certainly ideas in the offing which include [...] making a film/and/or DVD with Roger Dean involved with all of the visuals which I particularly like, but there is much to be sorted out within the band itself before any decisions". Wakeman indicated that one of their main reasons to prefer the DVD format over CDs is Internet piracy. In an Oct 2005 interview with Squire for YesFANZ, he said:
We are looking at various options from the various major companies. Universal have shown interest and we are going to be looking at trying to put together a show that maybe then after the film has been made of the same, we can then tour the world with that kind of a look and with that kind of combining the film and the touring aspect.The interviewer, Brian Draper, then raised the Dean project. Squire:
I think Roger’s floating Islands idea is a very good project. But after Lord of the Rings was made [...] with such good quality, it[']s hard to know quite whether Roger may be a bit late in thinking about that because it has been done so well with the correct amount of money [...] His idea, I fully support it but I am not quite sure where it is going to go. I had a couple of meetings with him to try and figure it out but so far nothing is happening.Live releases
[...] I think pretty much [he is looking for funding]. [...] Yes is a separate entity really from Roger [...] I have to look out for what’s best for Yes as opposed to Roger. But I think the idea of animated film for a Yes musical project is a good one but there are various options on the table that we are looking at.
| In the Present—Live from
Lyon (Frontiers) is a new release,
available as a 2CD, limited edition 3LP gatefold (FR LP 537;
Europe only; now sold out) or 2CD+DVD set (FR CDVD 537).
These were released first in Japan (on Victor
Entertainment), then in North America and then in Europe
(both on Frontiers). Official
trailer here. This is the 1 Dec 2009 show when Oliver Wakeman and Benoît David were still in the band.
Audio mixer: Karl Groom (Threshold, worked with
Oliver Wakeman, John Wetton, Arena, Pendragon).
Joe Comeau was the guitar/drums tech. The audio is the full
show on the Japanese release, but omits Howe's second solo
piece elsewhere. The ~55 min. DVD consists of interviews
with the band, behind the scenes footage, excerpts from the
show and complete performances of "Roundabout" and "Machine
Messiah". Director of video content: Philippe Nicolet;
editors: Nicolet, Julien Cuendet, Jad Makki, Yves Noël.
Tracks: CD1—"Siberian Khatru", "I've Seen All Good People",
"Tempus Fugit", "Onward", "Astral Traveller", "Yours is No
Disgrace", "And You and I", "Corkscrew" (Howe solo), "Second
Initial" (Howe solo; Japan only bonus track); CD2—"Owner of
a Lonely Heart", "South Side of the Sky", "Machine Messiah",
"Heart of the Sunrise", "Roundabout", "Starship Trooper". Samples
are available on Yes's SoundCloud account. Cover by
Roger Dean; photography by Glen Gottlieb, Jim Halley. The
2CD/DVD version was #67 on box sets on Amazon UK (30 Nov).
In response to discussion on Yesfans.com about whether there were any overdubs on the album, O. Wakeman said:
From what I can recall there were no overdubs on the live album.
I worked with Karl Groom on the mix for about 3 weeks in 2010. With any live recording there are going to be sections which don't sound perfect and occasionally things do go wrong. Someone might hit a wrong note or a cable might come loose. A snare skin or guitar skin can break for example.
I do remember when Karl and I were working on the album, I spent ages going through all the areas which I felt could need attention.
After checking the parts together, Karl and I decided to leave a lot of things in which weren't technically perfect but showed the band accurately and retained the feel of the show, otherwise what's the point, you may as well listen to the studio album!
If there were any sections that really weren't acceptable and had to be repaired, rather than get people to replay parts, we went through other live show recordings from the tour and utilised a part from that show in order to ensure the live feel was kept throughout.
There was talk of the whole show possibly being made into a DVD at the time from the two shows that were recorded (Rouen & Lyon).
I seem to remember the Rouen show was not as good a show as Lyon and therefore it would have made syncing the music from one show to footage from two shows a bit of a logistical nightmare! But as this was a possibility - we had to keep the music mix as close to the actual show as possible.
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have released a limited edition, 'gold' Hybrid SACD release
of Close to the Edge (AFZ147), mastered by Steve
Hoffman. Going for the One
(AFZ 157) follows on 11 Jun, again mastered by Hoffman.
Open Your Eyes has and Magnification will be released on vinyl for the first time, both as 2LPs on 180g vinyl in gatefold covers by Sireena Records. Open Your Eyes (SIR4018) came first, followed by Magnification, due 21 May, and the label are considering doing Talk in 2013. The regular Open Your Eyes tracks are on the first three sides, with the ambient outro taking up side 4. Live from the House of Blues has been released as a 180g vinyl by Dutch label Music On Vinyl, while Tales from Topographic Oceans has been released as a 180g vinyl by Friday Music.
Gonzo have released an ABWH live album, Live at the NEC, from a BBC two-track live recording of the NEC Birmingham show (24 Oct 1989). A deluxe edition (HST006CD) is available only directly from Gonzo. This edition includes a DVD and a 28-page replica tour programme. The video content is not of the show, but "ABWH - OFF THE WALL - A short film by Julian Colbeck"; this is 25:50 long and was filmed mostly by Colbeck: it is in black and white and consists of fairly raw footage shot on 25 Oct 1989 backstage, of the soundcheck and short portions of the show shot from the side of the stage. Details in Yescography. See my review here. A 2CD general release, Live at the NEC (HST005CD), is expected at some point.
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Covers of Yes songs
& other news
Mellow Records have released a 2CD tribute to Yes, Tales from the Edge: A Tribute to the Music of Yes (MMP519 A/B), another in their long line of prog tribute albums (bands are Italian unless otherwise specified). The album is available from Bandcamp or from Mellow via eBay here. Details in Yescography. Tracks:
of Disguise (Musea), released Apr
2013, is the second album from The Samurai of Prog,
a project led by Marco Bernard (ex-Elektroshock; Rickenbacker
bass) with Kimmo Pörsti (drums) and Steve Unruh (Resistor;
vocals, violin, guitars, flute). Tracks: disc 1—"Three Piece Suite"
(originally by England), "Sweet Iphigenia", "Descenso en
el Maelstrom" (Crack), "Before the Dance", "Dancing with
the Moonlit Knight" (Genesis), "Aspirations" (Gentle
Giant), "Traveler" (Premiata Forneria Marconi), "Sameassa
Vedessä" (Matti Järvinen), "One More Red Nightmare" (King
Crimson), "To Take Him Away" (Sandrose), "Time and a Word"
(Yes); disc 2—"Singring and the Glass Guitar" (Utopia),
"Darkness" (Van der Graaf Generator), "Jacob's Ladder"
(Rush), "The Case of Charles Dexter Ward (alternative
version)" (original version on the Musea
Stories of H. P. Lovecraft).
Guests include Jon Davison,
Roine Stolt (The Flower Kings, Transatlantic),
Guy Le Blanc (Nathan Mahl, ex-Camel), Robert Webb (England),
Eduardo Garcia Salueña, Linus Kåse (Brighteye Brison),
Mark Trueack (Unitopia, working with Jon Anderson,
Nikki Squire), David Myers (ex-The Musical
Box, ex-Mystery), Lalo Huber (Nexus),
Ákos Bogáti-Bokor (Yesterdays),
Kamran Alan Shikoh (Glass Hammer), Mimmo
Ferri (electric piano on "Aspirations"), Beatrice Birardi
(vibraphone on "Aspirations"), Jan-Olof Stranberg
(fretless bass on "Aspirations"), Phideaux Xavier, Srdjan
Brankovic, Mento Hevia (Crack), Stefano
Vicarelli, Risto Salmi, Octavio Stampalia, Matthijs
Herder, Andrew Marshall (Willowglass). The
album is available as a 2CD or a digital release.
Unitopia (MySpace) released a covers album entitled Covered Mirror in May 2012; tracks: "Signs of Life - Prelude" (original piece), "Calling Occupants" (originally by Klaatu), "Easter" (Marillion), "Man of Colours" (Icehouse), "Genesis Medley: The Silent Sun/Suppers Ready/Selling England by the Pound/Lamb Lies Down on Broadway/Carpet Crawlers", "Rain Song" (Led Zeppelin), "Even in the Quietest Moments" (Supertramp), "Everybody's Got to Learn Sometime" (Korgies), "Yes Medley: And You and I/Awaken/Close to the Edge/Soon/Onward/South Side of the Sky/Owner of a Lonely Heart", "Can We Still be Friends" (Todd Rundgren), "Speaking the Truth - Interlude" (original), "To One in Paradise" (The Alan Parsons Project), "The Way the Waters Moving" (The Flower Kings), "Real Love" (John Lennon). The band are Mark Trueack (working with Jon Anderson; vocals), Sean Timms (keys, vocals), Matt Williams (guitar, vocals), Tim Irrgang (drums, percussion), Daniel Burgess (sax, clarinet, flute, piccolo, didgeridoo), Craig Kelly (bass), David Hopgood (drums, percussion). For more on Unitopia's Yes connections, see here.
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Mechanics Union, a 30-piece orchestra arranged by Ryan Fraley
(worked on Jon Anderson's Survival
& Other Stories) and Ralph Johnson and
with vocalist Lydia
McAdams, released their second album, Further to
Fly, on 16 Oct 2012 with jazz interpretations of pop
and rock songs, including 2 Yes covers with Jon Anderson
A cover of "Heart of the Sunrise" was on their fist album, Second Season.
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Media, books, documentaries
Journalist Jon Kirkman (worked on the "Union Live" and other releases) has written a new book about Yes, "Time and a Word: The Yes Interviews" (Facebook, YouTube; Rufus Stone Limited Editions), due spring 2013. Pre-sale starts 15 Mar. The book contains new and archive interviews with current and past band members, covering Anderson, Squire, Bruford, Kaye, Banks, Howe, Wakemans R & O, White, Moraz, Downes, Rabin, Sherwood, Brislin, David and Davison, as well as with Phil Franks, the photographer for The Yes Album. The book will also contain many photographs, including several not previously published. Limited editions of the book are planned including some of the interviews on CD. A regular, softback edition and an e-book are also expected. Kirkman will also be attending and signing copies of the book on the Cruise to the Edge. He is also working on a second Yes book project.
Brian Draper is updating his book "Yes in Australia" to cover the 2012 tour. The update will be in electronic format.
A documentary entitled "And You & I: A
Musical Documentary" (IMV Blueline; 61 minutes) is being
advertised, due 19 Feb 2013 in the US. The blurb describes it as
"featuring rarely seen television interviews, behind-the-scene
stories and super-rare performances from 1974." Further details
Will Romano's "Mountains Come Out of the
Sky: The Illustrated History of Prog Rock" (Backbeat Books) covers
Yes, Asia, King Crimson, Genesis, Pink Floyd and many other bands.
The foreword is by Bill Bruford. Another new book about
progressive rock is "Prophets
Sages: An Illustrated Guide to Underground and Progressive Rock
1967-1975" by Esoteric
Recordings label manager/founder, Mark Powell (worked
with Soft Machine, Caravan, Camel).
Another new book, released in 2012, about progressive rock took
its name from Yes: "Beyond
and Before: Progressive Rock Since the 1960's" by Paul
Hegarty and Prof. Martin Halliwell from Continuum.
is the Answer (And Other Prog Rock Tales)" (Rare Bird
Books), edited by Marc Weingarten & Tyson Cornell, sees
novelists and journalists sharing their personal experiences of
prog. The book was released 14 May 2013.
Garry Freeman (author of "The Bootleg Guide" and
the forthcoming "Emerson, Lake and Palmer—A Live Guide
1970-1978") is working on "Yes—A Live Guide 1968-1979" (Helter Skelter
Publishing). The book aims to review as many shows as
possible from this period, including details on equipment
specifications and so on. If you can help with recordings of shows
or technical information (what equipment the band used, what was
the set list etc.), please e-mail
Garry. The Gottlieb brothers are working on a book on Yes
collectibles and Bill Martin (author of "Music of
Yes—Structure and Vision in Progressive Rock") has been
rumoured to be working on a new Yes book.
In a Jul 2004 interview, Wakeman said he would be writing a book about Yes: "I am going to do [a book] about Yes. There have been lots of books written about the band and I want to do one from what it's like inside the band." In a Jan 2005 interview, he said he was "seriously thinking about" writing a book about Yes having been asked to do one by a "big publisher". See further details under Wakeman. Moraz too is planning an autobiography that "will reveal the truth of what happened with Yes" (Oct 2010 interview). Squire and Howe are both working on autobiographies, which will cover Yes.
Yes were nominated in the Lifetime Achievement category for the Progressive Music Awards 2012, but lost out to Genesis. Rick Wakeman won in the Prog God category, in which Jon Anderson was also nominated.
The well-known Forgotten Yesterdays
site is back! The site is a comprehensive guide to Yes's
touring history and much recommended.
Yes are managed by Paul Silveira. Precisely who owns the Yes name, or what that question even means, is unclear. Yes as a corporate entity (Yes, LLC) is currently owned by Howe, Squire and White. Anderson and R. Wakeman were equal co-owners 2002-4, but subsequently sold their shares back. Consider also this Jul 2009 interview with Squire:
Anderson & Trevor Rabin
Anderson and Trevor Rabin have been sporadically collaborating over the last 5 years or so. A Jun 2006 report had Rabin saying he and Anderson had just spent a week writing together and that they were both very pleased with the results and the pair were also working together for about a week in Mar 2006. Anderson has mooted both the possibility of joining Rabin on some film work and of touring the YesWest catalogue. In a May 2008 article, he talked of him and Rabin "maybe touring some of that '80s-period music, because it was very special. [...] I wouldn't do it, like, Yes. I'd do it like me and Trevor aspiring to be the two of us making music and see what we come up with." The article describes Anderson as being "amenable to some sort of reunion of the Yes[West] lineup", although it is unclear whether Anderson indicated the involvement of any of Squire, White or Kaye. However, it appears this co-writing activity is now being directed to a project with Rick Wakeman as well: see immediately below.
Jon Anderson, Rick Wakeman & Trevor
Anderson, Wakeman and Rabin have been working on a project together, but the collaboration has proceeded slowly and appears to have stalled currently. Some material has been written, initially by Anderson/Rabin in early 2011 and before, but also through online interaction since. The latest comment came in an interview with Anderson from around May 2013. Asked about the collaboration, he said:
Well, I made the mistake of mentioning it once, and obviously a lot of people want to know what’s happening, and it was just one period of time about a year and half ago or so when I was seeing Trevor quite a lot and we’d been writing a couple of songs and we talked about maybe working with Rick. It’s funny because you spend time talking ideas and then six months later you’ve stopped talking about them, and then Rick’s busy and Trevor’s doing another movie and I’m on tour. It was very hard to bring it together, and at the moment we’re sort of in limbo.
However, this Apr
2013 interview with Anderson had this: "there's now some
talk of Rick and I doing an album with Trevor Rabin. Rick's
doing some music so I'll send that off with some vocals on it to
Trevor and he may put some guitar on it if he's not too busy
composing another film score." And then in another May 2013
interview, he said that he, Rabin and Wakeman would like to tour
playing Talk with another couple of musicians.
The initial idea for the project was in early 2010. In 2011, it
emerged that plans had shifted to the main activity being in 2012.
By early 2012, Anderson was being cautious in his descriptions. A
2012 interview had this:
We talked about it, we wrote a
couple of things together, Trevor got sidetracked, we talked
about this year . We haven’t really finalized a
time. It’ll happen when it happens. That’s my new mantra: ‘It
will happen when it happens.’
The article then continues:
is there any chance of
Anderson, Wakeman and Rabin hitting the road and playing Yes
songs? “No, I don’t think so.”
“Rick’s recording as we speak,” Anderson says. “He said he’d send me some music this month or next month. And then I would send it to Trevor. We’d actually written a couple of songs, me and Trevor, and me and Rick have written a couple.” Last time, Anderson said he couldn’t imagine an Anderson/Wakeman/Rabin tour, but he may have warmed up to the idea. If they do tour, fans shouldn’t expect a Yes “greatest hits” show.
“If we make music that we really like, and we put it out there, we’ve got a good fan base who wants to see us do new music… I don’t think we’d want to go out just doing old music, I don’t see the point. I’d rather go out there and do some new music, of course, you’d do old stuff that people want to hear. But you don’t rely on that as your show. You want to take some new music out there and have an adventure.”
Nov 2012 interview then had this:
Anderson: [...] like anything. It's a process. It will happen when it happens. I'm never that sure when it will happen, but I just know it will happen. I'm in touch with Rick and Trevor all the time. They're busy doing things [...] I'm busy doing things, but we've talked about some ideas we've come up with and music that we've come up with and it's really a question of timing. Maybe next year  is going to be the year.
Interviewer: [...] who will be on drums and bass?
Anderson: Got no idea at all. We talked about getting an ensemble on stage with three of us, rather, you know, than five or six or seven other musicians. [...]
Interviewer: Do you think it will be something you do in a virtual studio or do you think that you'll try to do some studio time together [...]
Anderson: [...] we'll probably do virtual.
2012 interview with Anderson had been more negative:
Over the past year, Yes fans
have been looking forward to a proposed project from [...]
Anderson [...] Rabin and [...] Wakeman. Unfortunately, as
Anderson tells Ultimate Classic Rock, the grouping has been put
“We did some songs last year, and Trevor had some things going on in his life that he had to sort out, you know, family things and he gets very, very tied up in his music for movies, so we just found it hard to collectively get together. And Rick’s got so many things that he’s doing in England. He has TV shows and radio shows. So eventually, it will happen. You keep the door open and hope that it will happen.”
With Trevor it’s all about
timing being everything you know. You never know, Trevor always
said he wanted to do but right now he’s going through some
changes in his work, seeing what he wants to do. I am very open
to when it happens it happens, always ready to try things like
[...] I think Trevor is waiting to jump into that adventure but he’s not quite ready yet in his heart. We wait and see and when we will work together I think it will be real spontaneous music. That’s what we talked about, making it spontaneous. A bit different than we used to do…
2012 interview with Anderson had: "It Happens When It
Happens, is my mantra! [...] we're always in touch. [...] we'll
see what happens."
Interview comments from Rabin also express some uncertainty over
timing. In this May
2012 interview, Rabin is asked whether there is anything he
cares to discuss about the collaboration and replies: "Nothing I
care to discuss as of yet. Rick is supposed to be sending me
something pretty soon for us to work on, so we'll see what comes
of it." In another May
2012 interview, he said:
We’ve been wanting to do
something for a couple of years now but we’ve not been
able to get together. Either I was on tour [this appears to be
in reference to Rabin accompanying his son's band, Grouplove, on
tour], or Rick and Jon were on tour. I met with Rick about eight
months ago in London. Rick and I get along so well [...] As
musicians, we get on really well, and the same goes with Jon.
The three of us are really intending on doing something but time
has not been our friend.
In my interview
with Rabin from Jul 2012, he said:
While Jon, Rick and I are excited about the prospect of doing something together nothing is organized yet and there’s no telling when or how something will be done. We really want to. Time is the enemy at the moment.
An article in Prog magazine, issue 26, stated that, "While nothing is confirmed, Rabin hopes recording will happen in 2012." This issue was published May 2012, although it appears to be based on an interview around Mar. Rabin is quoted as saying: "I haven't spent time with Rick since we had dinner in London at the end of last year. And I last saw Jon ever earlier, when he stayed with me. The problem is that all three of us have so much going on in our lives that it's been impossible to find the time to take it forward. The one thing I can tell you is that we all want to make this happen." He describes plans for the album: "What we want to end up with is an album that showcases what we're all about as individuals, but to make certain that it has an overall sound which represents this new band." He also mentions the possible involvement of Bill Bruford, which has been previously ruled out by Bruford (see below): "I know Bill Bruford's name has been mentioned, and I'd be happy to have him involved. But right now, we've approached nobody else at all. And, to be realistic, until we have our schedule mapped out, then there is no point in bringing anyone else in." In yet another May 2012 interview, Rabin said, "Jon and I speak all the time. [...] Rick Wakeman, Jon and I have been talking about doing something for the last 3 years. [...] schedules are a real problem."In a mid-Apr 2011 Facebook message, Anderson had said, "all is great with Trev, Rick and Myself, writing ideas , and thinking of next year  already." In an Apr 2011 interview, Anderson said, "At the moment, I am writing with Trevor Rabin and Rick." Asked about the collaboration in a May 2011 radio interview, Anderson said, "we were writing songs just two weeks ago [...] it's gonna be fantastic next year ". In this interview, published Sep 2011, Wakeman describes meeting Rabin in London "recently" to discuss the project. Then there was this in a joint Oct 2011 interview by Anderson and Wakeman:
Wakeman: [I'm] waiting to hear from Trevor at
the moment. To be fair, I certainly haven't chased him, as I've
been so busy this year  (as indeed Jon has and certainly
Trevor as well). I really want this to happen; I believe it
could be amazing in so many ways. I will certainly play my part
in trying to bring this to fruition.
Anderson: We've talked about creating a project; it's just finding the right time to work together.
The Nov 2011 Classic Rock
Presents... Prog (issue 21) has this on the
Rabin is also to be involved in
a new project with [...] [Wakeman and Anderson.] But things are
still in the formative stages right now.
"We are still working it all
out. I did spend some time with Jon when he was over in the
States doing solo shows not that long ago. I'm sure this'll
The original idea was for the project to be made up of and be
called Anderson Bruford Wakeman Rabin, echoing the Anderson
Bruford Wakeman Howe project of 1988-90, but Bruford is not to be
involved. I had multiple reports that plans for the project came
to a halt in Mar 2011, but the project returned to being a going
concern. I reported the project's demise here on 31 Mar, but in
response to the subsequent online discussion, Wakeman explicitly
denied that the project was cancelled and his webmaster advised
looking to the RWCC for any official news. A report from close to
Jon Anderson also denied the project had come to an end. Wakeman
discussed the matter at some length in his April 2011 GORR:
In his 18
May blog, Bruford said in reply to questions:
a lot of people talking about Yes, which you may
all know that I am not re-joining and have received no such
invitation from anyone connected with the band. [...] Can’t we
just let rumours be rumours? It just clogs up the place.
The answer to Roger Norway - 3/16/2010 12:02:37 PM [who asked about the reports of Bruford's involvement in the Anderson/Wakeman/Rabin project] is therefore – I have no interest. These rumour things often get started by a ‘slow news’ day over at the magazines and blogs.
Anderson & Peter Banks
A few years back, Jon Anderson and Peter Banks began working together remotely. The collaboration was soon abandoned, but contact was re-established in 2011. In an Aug 2011 interview, Anderson said: "I was actually talking to Peter Banks just a couple of days ago. He's been pretty sick, and I gave him a call, and he's gonna send me some guitar music to sing to." However, it is unclear how likely this will ever come to fruition.
|Levin Torn White
Out is a new collaborative instrumental album by Levin Torn White, a trio of Tony Levin (bass, Stick), Alan White (drums, percussion) and David Torn (worked with Bill Bruford, Terry Bozzio, Jeff Beck, David Bowie, John Legend; guitar, textural events). (Levin previously played with Torn with Bill Bruford.) The project was recorded over the preceding year in Seattle, WA, Woodstock, NY and Plymouth, New Zealand. The 14-track album, simply called Levin - Torn - White (Lazy Bones), was produced by Levin and Scott Schorr, and mixed by Tony Lash. Torn, on The Gear Page forum, described it as:
this was a real "project"-project,
w/deep involvement, concept & direction from the producer.....
scott schorr, who, fwiw, is a lovely & hyper-enthusiastic dude.
also, the mixer --- tony lash --- was very positively involved.
Schorr described how the project came about on Yesfans.com:
[It] all started when I produced Tony Levin's solo CD, "Stick Man." Tony & I hit it off so well that we were looking for something else to work on. Alan has always been one of my fav. drummers and Yes my all time fav. band. I mentioned it to Tony & he dug Alan so he was way into it. Tony then recommended David Torn
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it all started w. Alan in the
studio. I just said, "rip it up, Alan. The more hardcore the
better. Whatever you feel." Then we ran a click track through
his headphones & began recording him just jamming. We'd stop
then give him another tempo & he'd be off and running. In
between takes, he'd just be messing around; off beats &
fills galore (no click) & I would tell the engineer to start
recording. Alan had no idea he was being recorded during these
"breaks". Most of these free jams made the record. His timing
was impeccable & he was so locked in the entire time. [...]
after drumming, he sat at the piano & blew everyone's mind.
Awesome pianist & he actually wrote a very cool piano piece
that didn't make the record.
I've been a life long fan of
classic Yes & Crimson & I just asked myself, "what kind
of sound would I personally like to hear as a fan." You make
that guess & then hope you're right. Also, isn't FREEDOM FOR
THE MUSICIAN (in the recording studio or live) one of the most
important aspects? It seems that when you have players of this
caliber, you let them GO OFF, without any restrictions. What you
hear is what Alan, Tony & David came up with. My main
guidance to them & I hope it wasn't restrictive: Hard Core
I've known Alan and admired him
for some time, but never got to do a project with him. (Not
counting the "YES" album where we both played with different
incarnations of the group, but not together!)
David is an old friend and co-conspirator [...]
When I realized from Alan's ideas, and my reactions, how radical the direction was for this music, David seemed not only the best choice, but pretty much the ONLY choice for guitar!
He went on to describe how the album was made:
It's a category I don't know
quite how to describe. Improvisational, to be sure, but with
each player improvising separately to what the others had done,
and then re-assembling and then re-improvising.
In an interview
published early Nov 2011, White said:
I came up with some really
different drum patterns and timings. Some of it was especially
for this, but some of them were things I have been working on
for years. Tony and Torn [...] then came up with their own ideas
[...] Toward the end, it was more Tony and Torn who
collaborated, since I was on tour with Yes. I was on the
telephone quite a bit, talking to them. Some of those things
were inspired from me as the source. It might change direction
slightly, become something different.
He went on:
When we were first getting into
it, we were all just trying to find our own way. [...] I think
all of these ideas have been doing through the three of us for a
lot of years, and those things just naturally come out when
you’re inspired by the people you are playing with. It was
mostly improvised but, at the same time, it still sounds really
articulated. There are spaces within all of that stuff to
In an Oct
2011 interview, White describes the project starting with
him, Levin and Schorr, but then they considered a number of
guitarists, before Levin and Schorr proposed Torn.
You can order the
album through Levin's website. Tracks: "No Warning Lights",
"Ultra Mullett", "White Noise", "The Hood Fell", "Monkey Mind",
"Cheese It, the Corpse" (full streaming
audio available here), "Convergence", "Pillowfull of Dark",
"The Eggman Cometh", "Sleeping Horse", "Prom Night of the
Centipedes", "Crunch Time", "Brain Tattoo", "Lights Out". Schorr,
Yesfans.com, described White's work for the album as "more
in the style of Classic Yes (Relayer, Tales, Going for the One.)"
There is a preview
video on YouTube and various
samples on SoundCloud and Facebook. Details
Asked about the possibility of live work, Torn said: "we've been
talking about it, but a few periods-of-time already haven't
worked-out, so..... dunno." Levin, in the aforementioned
interview, said, "We're indeed talking about that… too early to
know if it can come together. Alan busy touring with Yes -- I have
Fall and Winter commitments with Stick Men sharing a bill with
Adrian Belew. So … we'll see." While in White's Nov 2011
interview, he said: "We've talked on email about doing some shows,
maybe next year  sometime. I think everybody still has that
in the back of their minds. But I told Tony we would have to
rehearse at least a month to recreate that stuff!"
White and Schorr discuss the project further with YesFANZ' Brian Draper here.
The interview ends with Draper asking about live work:
White: [...] we bandied about on that for a
while. Even so with Tony's schedule and my schedule and stuff
like that its really hard to pull off. And so as far as that
material goes, the answer is you would have to rehearse for
about 6 months! (laughs) That's the way I can see it. Now, I
reckon we could latch into it but it would be an intimate live
version of that and it would be the same thing but a live
version but the framework is the same.
Schorr: Alan knows this I would love to do another one with him. But the thing, maybe the second time would be to get the three guys in the room. So we talked about that but he is so slammed with Yes and other stuff that he does. This is kind of almost like a once in a life time opportunity to get something with this.
Sep 2012 interview asked White about a follow-up album. He
replied: "we're talking about it, right now. I'm not sure when and
where but we're talking about not doing something similar, but
just move on. Probably we'll not do it until early next year
Reality progressive rock project
Sonic Elements (Facebook; SoundCloud) is a group of progressive/classic rock projects led by Dave Kerzner (Sound of Contact, Lo-Fi Resistance, working with Billy Sherwood, worked with Francis Dunnery, Jon Anderson, Steve Hackett, Steven Wilson, ex-Giraffe), founder of the music software development company Sonic Reality. Kerzner is the main producer and keyboardist of a number of "virtual bands" involving several guests, including often Billy Sherwood, that are recording various covers (including of Yes, Rush, Pink Floyd, Genesis and ELP) and original songs for upcoming releases, but where some of the instrumental tracks are also available through Sonic Reality's sample libraries. In Dec 2011, Kerzner described to ProgressiveEars.com a plan consisting of:
Sonic Elements Fantasy Interactive
Dark Side of the Moon w/ Alan Parsons
Sonic Elements XYZ Fantasy Band Tribute to Rush featuring Neil Peart Drums
Sonic Elements Lamb Lies Down on Broadway Fantasy Soundtrack Tribute to Genesis
Sonic Elements Trifecta (original music with Billy Sherwood and drums from Terry Bozzio, Rod Morgenstein, Neil Peart...)
Sonic Elements TBA fantasy progressive rock project featuring...
... all involving Sherwood in some capacity. The tribute to Rush
and 'Trifecta' serve to explain the model for these projects. The
original track "Trifecta", previewed
here, features newly composed material performed by Sherwood
(bass, guitars) and Kerzner (keys) to an existing drum track for
Rush's "YYZ" that was recently recorded by Neil Peart for a sample
library at Sonic Reality with producer Nick Raskulinecz
(worked with Rush), while the Rush tribute consists of
covers of Rush songs, again using Peart's drum tracks.
In Feb 2012, Kerzner said on Facebook: "So that no one has to
wait too long for these wonderful projects to make their way to
full album releases... a decision has been made [...] to release a
variety of singles and EPs spanning originals and covers."
Full-length albums will follow. A 5-song EP, XYZ—A Tribute to Rush,
produced by Kerzner, came first on download and as a limited
edition CD from esoundz.
Pre-orders included a bonus, downloadable 6th track. Details
in Yescography. Tracks:
In Apr 2012, Kerzner explained that there:
will at least be another EP of
different material (the "keyboard era" stuff) and then
eventually a full album and that will have different versions of
some of these songs on it as well.
Plus there's going to interactive versions of the songs similar to Jammit except they can work inside products like AmpliTube where you can play guitar through modeled amps and pedals or inside Garageband and play anything you want. That's coming along with Neil Peart's isolated drum tracks. But these interactive versions are more for musicians to interact with.
We're also thinking about putting XYZ out on limited edition vinyl. Just 300 of them.
However, in an Oct 2012 post to ProgressiveEars.com, he said the next Rush-related release will be the full-length album Moving Signals & Waves, covering tracks from the Rush albums Moving Pictures, Signals and Permanent Waves. The album is due, digitally and as a CD, late summer 2013. Confirmed tracks for the album include "Digital Man" with Sherwood (vocals, guitar, bass), Kerzner (keys) and Fernando Perdomo (Dreaming in Stereo, worked with Mika; guitars); "Spirit of Radio", with Sherwood (bass), Kerzner (keys), Mike Keneally (ex-Frank Zappa, ex-Stanley Snail, worked with Robert Fripp; guitars), Nick D'Virgilio (Mystery, ex-Spock's Beard, Big Big Train, ex-Genesis, ex-Tears for Fears, worked with Chris Squire; vocals); and "Subdivisions", with Kerzner, John Payne (ex-Asia, Asia Featuring John Payne, GPS; vocals), Erik Norlander (Asia Featuring John Payne). Another song on the album features Kerzner (keys), Sherwood (bass, guitar), Steve Hackett (Squackett, ex-GTR, ex-Genesis) and Keith Emerson (ex-ELP), while either that one or another features guitar from both Hackett and Francis Dunnery (ex-It Bites, ex-The Syn, worked with ABWH).
At various times, Kerzner or others have described covers of
further Rush songs:
Dunnery is also singing on some of the Rush songs.
Also expected is an EP It—A Tribute to Genesis & Peter Gabriel, with Kerzner (keys), Francis Dunnery (vocals, guitar), Nick D'Virgilio (drums) and an orchestra, plus samples of Tony Banks' keyboard playing. This will be 4 or 5 tracks from the forthcoming Lamb Lies Down on Broadway Soundtrack Tribute album, and at one point was expected to include a 'bonus track' of a Peter Gabriel cover, "Rhythm of the Night", with Dunnery (vocals), using Sonic Reality's Jerry Marotta drum library. Either the EP or eventual album (I'm unclear) will also feature Sherwood, McStine, Steve Rothery (Marillion) and Mark Hornsby (worked with D'Virgilio).
Seemingly referring to the 'Trifecta'
album project, in Jan 2012, Kerzner said on Facebook: "Among the
various music releases you can expect this year  from Sonic
Elements are some original tunes, many of which have been done
with ex-Yes-man Billy Sherwood along with SR sampled grooves of
great drummers such as Rod Morgenstein of the Dixie Dregs."
However, this release has yet to appear There is an accompanying
clip to a piece entitled "Razors Edge" with Sherwood and
samples from Morgenstein. Then there's "Racing Through Time" (sample),
another original piece by Sherwood, this time using a sample
library from Alan Parsons.
The Pink Floyd/Dark Side of the Moon project also involves Nick Mason (ex-Pink Floyd), Nick Davis (worked with Genesis), Dorie Jackson (works with Dunnery, ex-The Syn; vocals), Guy Pratt (worked with Pink Floyd, Michael Jackson; bass), Colin Edwin (Porcupine Tree; bass), Natalie Azerad (vocals), Durga McBroom-Hudson & Lorelei McBroom (worked with Pink Floyd; vocals). The Sonic Elements Facebook page in Jan 2013 said: "I've assembled a Sonic Elements band in LA this week to work with the McBroom sisters (former backing vocalists for Pink Floyd). Billy Sherwood, Randy McStine, Fernando Perdomo and myself (with Pink Floyd's rhythm section already recorded/sampled)".Various further progressive rock covers have been described. In Aug 2011, Kerzner described Sherwood and "several other ex-members of Yes" yet to be specified as working on some Yes covers. Sherwood (bass, vocals) and Kerzner (vocals) then described a cover of "The Fish" (sample), using existing drum samples from Bill Bruford and also some other samples from D'Virgilio. There's a teaser sample here. Kerzner described in Oct 2011 working on a Yes medley with Sherwood, possibly including "Starship Trooper: Würm". Next came a sample from "Changes" with Sherwood (bass, guitars, drums, vocals) and Kerzner (keys, vocals). Then in Mar 2012, Kerzner referred to a cover of "Yours is No Disgrace" with Sherwood (bass, drums), Tony Kaye (keys) and Johnny Bruhns (ex-CIRCA:, ex-Yoso, ex-Yes tribute band Roundabout; guitar); Kerzner may also play keys on the piece.
Kerzner's also described doing 3 tracks for the Alan Parsons
project with Sherwood. An ELP cover with Keith Emerson (ex-ELP;
keys) and Payne (vocals) is planned.
In 2005, Kerzner (keys) led a live performance of "Long Distance
Runaround", with an instrumental intro taken from Genesis' The Lamb Lies Down on Broadway,
with Jon Anderson (vocals), D'Virgilio (drums), Hornsby (bass) and
Stan Cotey (ex-Giraffe; guitar), briefly available
on Sonic Elements' SoundCloud. Kerzner also said on Facebook in
I also WROTE a song with Jon
Anderson that's absolutely beautiful. It's not finished yet but
he sang a rough and it's really cool. Stylistically between old
Yes, Vangelis and something futuristic/film soundtrack-like. Not
sure if that will end up on his albums or one of ours but at
some point we'll be able to share something!
Records tribute/covers projects
Cleopatra Records continues to release multiple albums—generally tribute and covers albums—featuring multiple guest artists, including in some cases multiple Yesmen. Several of these—notably The Prog Collective and Songs of the Century: An All-Star Tribute to Supertramp, both with Chris Squire, Geoff Downes, Rick Wakeman, Tony Kaye, Peter Banks and Tony Levin, and a forthcoming Steve Miller tribute—were projects led by Billy Sherwood and these are covered in his section. Below describes other Cleopatra Records releases led by various other people.
Nektar's A Spoonful of Time
|Progressive rock band Nektar's latest
release is a covers album entitled A Spoonful of Time,
available as a CD, download or 2LP (LP1 side A is tracks
1-4, side B is tracks 5-7, LP2 side A is 8-10), performed
by Roye Albrighton (lead vocals (except 14), guitars), Ron
Howden (drums, percussion, except on tracks 5 & 9)
and, on some pieces, Klaus Henatsch (keys, Hammond,
Mellotron). The album was produced by Jürgen Engler &
Chris Lietz. It also features multiple guest musicians,
including Steve Howe, Geoff Downes, Rick
Wakeman and Patrick
Moraz. The idea for the album, including the track
listing and performance details, came from the label,
Cleopatra Records. Tracks:
||Buy from Amazon (UK):
||Buy from Amazon (US):
The album was released briefly around Sep 2012, but then pulled.
While some reports talk of a fault with the initial batch of CDs,
it appears Cleopatra Records (specifically Brian Perrera) were
unhappy with the mix. Thus, Billy
Sherwood, who is working on
Nektar's next album and has worked
extensively for Cleopatra before, was brought in to do a new
mix for the album and record further parts: on this new version,
Sherwood is credited with bass (5, 9, 13, 14), backing vocals (2,
4, 6, 7, 9, 14), a synth intro (2), synth (7) and a guitar solo
(4). (Engler plays bass except on 5, 9, 13, 14.) By late Sep,
Sherwood had completed work and passed the record on to Maor
Appelbaum for mastering. The new version is now out, including a
digital deluxe edition including instrumental versions of all the
tracks. The album's
Facebook page says they will refund or replace the early
batch and fans confirm Cleopatra have sent copies of the new
version. The 2LP release of the new version came out 4 Dec in the
UK; I'm unclear if a vinyl of the original version was ever
released or not. Some retailers appear to stock the original
release; Sherwood is listed on the back of the jewel case for the
new version, but I am unclear how you can tell which version you
are purchasing if doing so online. (Nektar (without Sherwood) also
supported Yes on their Cruise to the Edge.)
Who are You: An All Star Tribute
to The Who
|Buy from Amazon (UK):
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Shatner's Seeking Major Tom
Steve Howe and Patrick Moraz both appeared, albeit separately, on the space-themed concept album of covers entitled Seeking Major Tom (after the character in David Bowie's song "Space Oddity") by actor William Shatner (Star Trek, worked with Ben Folds). The 2CD album, on Cleopatra Records, is now out. A 3LP vinyl box set with the same track list is also available. Howe plays on a cover of Duran Duran's "Planet Earth", while Moraz is on a cover of Thomas Dolby's "She Blinded Me with Science" with Bootsy Collins on bass. Other guests include Ritchie Blackmore (ex-Deep Purple, Blackmore's Night; guitar), Alan Parsons (keys), Manuel Göttsching (ex-Ash Ra Tempel; guitar), Ian Paice (Deep Purple; drums), Steve Hillage (System 7, ex-Gong; guitar), Peter Frampton (guitar), John Wetton (Asia, ex-King Crimson; bass, backing vocals), Sheryl Crow (worked with Kevin Gilbert; lead vocals), Edgar Froese (Tangerine Dream; guitar, keys, synth) and Dave Davies (ex-TheKinks; guitar). Shatner is working with Billy Sherwood for his next album.
Days Between Stations
In Extremis, due 15 May 2013, is the second release from Los Angeles prog band, Days Between Stations. The band consists of guitarist Sepand Samzadeh and keyboardist Oscar Fuentes Bills, who have previously worked with The Pineapple Thief. The album is co-produced by the band and Billy Sherwood (executive producers: Sam H Samzadeh & Days Between Stations LLC); Sherwood also performs drums and lead vocals and mixed the album. The music was written by Samzadeh/Fuentes, the vocal melodies and lyrics by Samzadeh/Fuentes/Sherwood. Other guests on the album are Peter Banks (who contributed to the album before his death in Mar 2013), Rick Wakeman, Tony Levin (bass throughout the album) and Colin Moulding (ex-XTC, works with Sherwood). Artwork & layout are by Paul Whitehead (worked with Genesis, Van der Graaf Generator, Le Orme), with photography and additional layout by Erik Nielsen. The album was mainly engineered by William Kaylor (worked with Fleetwood Mac, Ray Charles, Michael Jackson) and mastered by Evren Göknar. Wakeman's sessions were mixed by Erik Jordan; Banks' by Leigh Darlow; Levin's by Levin and Sherwood's by Sherwood. A documentary about the making of the album is being made, and the album may see a limited edition vinyl release.
Any news, additions or corrections, please e-mail Henry Potts. Thanks.