This page last updated: 29 Nov 2023

YES and projects with several Yesmen	Jon Anderson	Steve Howe	Geoff Downes	Chris Squire Alan White
Billy Sherwood	Jon Davison	Rick Wakeman	Patrick Moraz	Trevor Rabin
Trevor Horn	Tony Kaye	Oliver Wakeman Jay Schellen	Igor Khoroshev	Bill Bruford
Peter Banks Benoît David	Asia	Arc of Life CIRCA:	Yes ft. Anderson Rabin Wakeman	Others associated with the band

Bruford has retired from performance (Oct 2017 interview: "I no longer perform, practice or teach on the instrument."; 2015 interview: "I have not been playing any music. I've not touched the drums for five years."). He does research, writes and gives talks, and oversees archival and re-releases. He did, however, make a surprise appearance at the Aug 2023 John Wetton memorial concert, drumming on "Let's Stick Together" (originally by Roxy Music) with Chris Difford (Squeeze; vocals, guitar), Phil Manzanera (ex-Roxy Music; guitar, backing vocals), Guy Pratt (worked with Pink Floyd, Madonna, The Orb; bass) and a saxophonist, keyboardist and backing vocalist from the Paul Green Rock Academy.

There is a Bill Bruford fan convention in Tokyo, Japan on 16 Jun 2024, which will include a Q&A with Bruford and performances by 2 UK tribute bands. He also attended the premiere of the new surround mix of The Yes Album: see the blog.

Roslyn, NY, 1 Aug 1972:
1. "Black and White"
2. "There No More"
3. "Monday Morning Eyes"
4. "Small Beginnings"
5. "Children of the Universe"
6. "Lifetime"

Burbank, CA, 9 Oct 1973:
17. "Dead Ahead"
18. "Psychosync"

Miami, FL, 26 Oct 1973:
19. "Children of the Universe"
20. "Black and White"

Cape Cod, MA, 24 Aug 1973:
21. "The Bishop"
22. "Manhattan Morning (Christmas '72)"

I’m [...] planning to do some concerts by myself. More than ever, I’m back in the saddle to record. I have multiple projects in the pipeline, and they will come out as they come out. I also have some classic music in preparation, and some other new stuff that’s going to knock your socks off.

[...]

I have other symphonic works [in development; in addition to A Way to Freedom] as well, including the completion of my “Children’s Concerto” for orchestra. I’ve added some orchestral colors to it…but I like to keep some mystery about what I’m doing!

I have also been expressing myself by writing poems, either in French or in English. And I’ve already recorded some of them. And I’ve almost completed a double CD with my other group in Switzerland [possibly a reference to Random Kingdom]; that’s going to come out..probably not this year [2015] or next year [2016], but after that. I have at least two other albums schedule to come out. But for now, MAP is taking priority

[...]

Because my children are grown up, and because I’m not committed, contracted yet – yet! [laughs] – to tour with a big band with my music, I have more time. And I’ve developed a very interesting studio here in Florida.

Live
Moraz performed at ProgStock 2023 on 8 Oct 2023, opening for Utopia. He was also doing an interview session with a film screening on 6 Oct.

Moraz played a benefit show for 5 local musicians affected by Hurricane Ian in Nov 2022 in Florida.

Band projects
Moraz and Ronnie Ciago (Facebook) (ex-CIRCA:, Brand X, worked with Bill Ward, Mick Taylor, Jaco Pastorius, Robert Downey Jr.; percussion) have been working on an album together; one piece with Ciago appeared on Moraz's solo album Change of Space. Ciago said on Facebook in late Sep 2011: "there is also 2 Moraz & Ciago cd's due out in the next few months, Patrick Moraz & Ronnie Ciago "Live On The Radio" and The new studio cd ( Moraz & Ciago ) with known guest musicians."

It was a balance between the two [beginning with Moraz' compositions or not]. We played together and jammed and so on. The music was composed, first and foremost. Actually I composed more than nine pieces – at least fourteen pieces – and then I let him choose the ones that felt the most comfortable. [...]

Greg and I and John Avila, we can now play that music with our eyes closed! We can play it the way it is [written], but we can also jam. And that’s what we will do for the next album. We are really, really determined to put out a bunch of albums together. We had so much fun making this album

I want to keep it a surprise. But what I can tell you is that it’s not just one CD, one album. It’s a bunch of different works for myself at the piano, with a band, with a trio, orchestra and choirs. That’s why it’s taking so long. In this kind of work, you can never say exactly when it’s going to be ready.

A WAY TO FREEDOM seems to be taking a long time to come out. It's not the lack of material, but more about the inherent inertia which has surrounded the project from the beginning. I have lots and lots of recorded material already, but I never seem to be able to put the finishing touch to the production as a whole.

In an Aug 2013 interview, asked about the project, Moraz replied:

It’s still on the front burner, it’s just that I’ve got different projects and different productions that take precedence. [...] I’ve got several pieces that I’ve had rendered for a symphony orchestra and percussionists and a jazz brass band. All of the music is written and arranged; it’s on paper. It’s just that it takes time. I could have finished it and released it, but in some way I have been enjoying my right to be a little bit of a perfectionist. (Laughs.)

Asked about the project in the late 2014 interview, Moraz said, "I am in the finishing stages of A Way To Freedom, because I've got some other productions that take precedence. [...] that's going to be my solo album. I've been working on that for several years on and off."

A Jun 2014 interview described it as "due in the very near future". It also describes as upcoming Cantata, a piece for a soprano-alto-tenor-bass choir in 7 movements, "paying homage to 'Our Planet.'" The latter was previously described on Moraz' website as EcoCantata. His site website also said Moraz is "progressing in the compositional development, production and "finition" of a "Futuristic Ballet" and other works featuring electronic arrangements as well as innovative, rhythmic instrumentation and acoustic orchestrations."

Patrick Moraz and Human Interface toured in 1983, with a set including all of Story of i. The band consisted of Moraz, Tim Franklin (bass, vocals), Paul Parker (drums), Jim Gentry (guitar, vocals) and Michael Franklin (keys, vocals). (Michael and Tim Franklin are currently working with Jon Anderson.) On 11 Dec 2022, M Franklin said on Facebook, "We have a video tape of the whole show. I hope re-master and re-render this year [2022]. [...] Recorded at The Beacham Theater in Orlando in 1983."

Other news
Moraz guested on the 10-track album Not in Kansas Anymore, the posthumous and only solo album by Robby Steinhardt (ex-Kansas, worked with Jon Anderson), released Oct 2021. Steinhardt was working on the album in his final months before his death in May 2021. The album was produced by Michael Franklin (works with Jon Anderson), with many of the players from Jon Anderson's 1000 Hands: Chapter One and the associated touring band. The music was mostly written by Michael and Tim Franklin, with Steinhardt given co-writing credit for his input too.

Moraz covered Jean-Michel Jarre's "Oxygene (Part 4)" on Synthesizer Classics (Cleopatra Records), out Aug 2022: see on main page for details. Moraz appeared on 1 track each of the latest Prog Collective album from Billy Sherwood, Seeking Peace, and the previous one, Songs We were Taught, both released 2022: see main page for details. Moraz appears on "Pigs (Three Different Ones)" on the Cleopatra Records release, Animals Reimagined – A Tribute to Pink Floyd: see on main page for details.

seven years ago, I had a project [...] “Seven Days a Week: Music on the Road From A to Z,” [...] I was seeing real people in real time, and the idea was to record in one week, in seven days — actually seven different CDs, one CD every day with a different theme every day. I kind of started to prepare production, because it’s a rough animal to do that, but as of yet I haven’t had the chance to complete such the project. But it’s still in the future works, as a future operation.

In the Oct 2010 Classic Rock Presents... Prog, Moraz says:

I am so busy right on many projects. They vary from rock to classical. Right now, I'm working with some extraordinary musicians in Tampa, Florida. Moreover, there are various reissues being planned. And I'm currently writing my autobiography, when I will reveal the truth of what happened with Yes.

Moraz played on sessions for bassist Dave LaRue (The Dixie Dregs, John Petrucci) for a second solo album that has yet to appear.

Moraz was in Refugee and their track "Ritt Mickley" is on the 4CD Round and Round – Progressive Sounds of 1974 (Esoteric Recordings, ECLEC42831), due 30 Jun 2023.

Longer term plans
Moraz has talked of multiple further projects, but many of these appear to be some way from producing any output. He has plans for a third "Future Memories" show, which he discusses in a new interview on a forthcoming DVD release of the first two "Future Memories" TV programmes (see below). Moraz has also been working on an album with Michel Sanchez (Deep Forest) for some time. A report circa Feb 2005 said that Moraz has two electronic albums close to completion, one of which seemed to be the one with Sanchez. It is unclear whether the other was A Way to Freedom, with Armen or some other project.

Moraz has expanded "Modular Symphony (1st Movement)" from his 1987 Human Interface album into an entire piano concerto, which he intends to release at some point according to a Mar 2005 interview.

Although he has no immediate plans, in his Mar 2005 interview, Moraz talked of his willingness to do a video or film project based on his solo album The Story of i. In his NftE interview (Jan 2001), he said, "I've also been writing and researching some stories. I'd like to do a movie of THE STORY OF I either in 3-D computer graphics, an animated version, or the real thing. I have also written a couple of other movie scripts; one is a science fiction story and the other is about the life and times of a composer who lived three hundred years ago." In an earlier interview (Oct 2000), he said: "I have just about 30 other projects that I have already composed, I've composed hundreds of pieces of music in the last 9 years. [...] I have also, maybe, studying to get a commission for a symphony orchestra perhaps in europe for next year [2001]." At some point, he has been planning to do a charity Christmas album.

Trevor Horn

sorry i've been missing in action,,,.but I have been 24/7 on the new solo album, and it's turning into something pretty cool.
I was hoping i'd be closing in by now.
Ufortunately it'll take a but longer. It's just taking time to let it all happen the right way. But i'm quite excited with where it's going.
I'm about half way through and very happy. Bare with me.

Sorry there's been little on the new album.
I'm had to take some breaks to fulfill some film obligations.
But it's going great, I wish it was happening a little faster.
I would say I'm half way there and will be back at it next week.
speak soon. all the best

I've completed 2 tracks for my next solo album.
I wasn't sure what shape my voice would be in, as singing is something I do little of with scoring (or on Jacaranda), ... but voice exercises and singing a lot,....i'm in good shape.
Happy so far, ...long way to go!

Bonamassa will perform at least 14 new and extended versions of his songs with this nationally renowned orchestra. Unlike most concerts featuring a rock band and orchestra, this concert will be driven by the orchestral arrangements written by some of the world's leading classical composers as well as Hollywood’s leading movie orchestrators.

Each composer will orchestrate one or two songs of their choice. The direction of the songs will be set by the orchestrator and producer with Bonamassa performing both electric and acoustic guitar, and singing within those confines. You will be able to hear the desperate addiction in "Sloe Gin", the ferocious animated realism of a desperate train journey in "Slow Train", the Rodrigo-like Spanish influences in "The Last Matador" and majestic landscapes to create a spectacular music event for lovers of all kinds of music.

Once [...] we [ARW] do Europe […] once that tour is finished, I'm actually going to start bookings [for film scoring]. So I've promised [new manager] Rich [Jacobellis] that when I come back, in between now and doing the next tour [26 Aug-9 Sep 2018] […] I'll agree to start taking meetings, speaking to people and I'll phone my friends [like directors Renny Harlin and Jerry Bruckheimer]

I’ve got two solo records which I’m scheduled to do and two scores which I’m not at liberty to mention [...] I pretty much signed on to them now, and so I’m pretty busy right up until the end of 2018 at this point.

I did an instrumental album in 2012 [Jacaranda]. I wanna follow that up with another [instrumental] album, and I also do wanna do a kind of vocal rock album to follow up on [...] Can’t Look Away [...] obviously, a priority goal for us is ARW

I've had something on the burner for a long time, but I've never really got centered on it [...] I have an electric-guitar concerto. I'm calling it that, which might sound a bit posh, but it's just a classical electric guitar. What I have sketched out is for full orchestra and electric guitar. I've also included four bagpipes, which just sounded so great. It's a great combination, these very legato, almost sitar-ish guitars and the drone of the bagpipes, which is an extraordinary sound. I really want to come to terms with this guitar concerto

I'm also very determined to do a rock album, whatever that means, with singing on it.

1. Trevor Rabin: "Main Title" (1:41)
2. Trevor Rabin: "Church Heist" (0:44)
3. Paul Linford: "Escape Room" (2:06)
4. Trevor Rabin: "Masonic Temple" (3:08)
5. Paul Linford: "Hidden Artwork" (1:28)
6. Jake Austin Walker: "Be Brave" (3:07)
7. Trevor Rabin: "Duerme Descansa" (1:10)
8. Paul Linford: "Trade Oren for Relic" (2:03)
9. Trevor Rabin: "Puzzle Box" (2:06)
10. Paul Linford: "Gift Shop Trap" (2:44)
11. Trevor Rabin: "Searching Sudusky's Study" (2:25)
12. Jake Austin Walker: "Hey Dreamer" (2:02)
13. Trevor Rabin: "Mom Knew About Treasure" (3:42)
14. Trevor Rabin: "Cracking the Box" (1:29)
15. Paul Linford: "Real Exterminators" (2:18)
16. Paul Linford: "La Paloma Clue" (4:01)
17. Jake Austin Walker: "Suspicious Minds" (3:42)
18. Trevor Rabin: "Oxygen Level 40%" (6:19)
19. Jake Austin Walker: "I Miss That Van" (2:35)
20. Jake Austin Walker: "Shame on Me" (2:53)
21. Trevor Rabin: "Charge!" (2:16)
22. Paul Linford: "Jess Meets Papa Salazar" (3:11)
23. Trevor Rabin: "Organ Clue" (3:59)
24. Jake Austin Walker: "Beside Me, Besides You" (3:05)
25. Trevor Rabin: "Run! – Escape Pt. 3" (2:37)
26. Trevor Rabin & Paul Linford: "Let's Find Out" (3:21)
27. Paul Linford: "Hendricks Is Salazar" (1:55)
28. Trevor Rabin: "Which Way" (2:37)
29. Trevor Rabin: "The Great Treasure" (5:29)
30. Trevor Rabin: "Another Treasure" (1:00)
    

"Talking to Yourself" (2:53; video) was the third single from Carly Rae Jepsen's album The Loneliest Time (604/School Boy/Interscope), out 21 Oct 2022. The single was released 16 Sep 2022, backed with "Beach House" and "Western Wind". All three tracks were then also included on the fourth single, "The Loneliest Time" (with Rufus Wainwright), released 7 Oct. "Talking to Yourself" was co-written and produced by Captain Cuts, who are now Ryan Rabin (Trevor's son) and Benjamin Berger, who also performed on the track. Trevor guests on a guitar solo. Neither of the Rabins appear on any of the other 12 tracks (or 3 digital bonus tracks). The album was recorded 2020-2, largely in lockdown. The album made #16 in the UK, #18 in Canada, #19 in the US, #37 in New Zealand, #52 in Japan (#33 in digital albums), #61 in Ireland, #62 in Australia, #94 in Spain, and #180 in both Flanders and Wallonia (Belgium). It also made #39 on the German digital chart. "Talking to Yourself" made #91 on the UK iTunes chart. The album made #4 on the Canadian iTunes chart, #6 in Brazil, #7 in the US and Australia, #9 in the UK, #21 in Germany, and #26 in France. Rabin guested with Outlanders (alternate website, Twitter), a collaboration between vocalist Tarja Turunen (ex-Nightwish) and musician/producer Torsten Stenzel (York, worked with Mike Oldfield, Nelly Furtado, Joss Stone). The project, which was mainly recorded in Antigua, mixes electronic music, vocals and (electric and acoustic) guitars. The album uses some texts by Paulo Coelho. Marcelo Cabuli is the executive producer. The first single, "Closer to the Sky" (streaming audio; music video), featured Rabin and was released digitally 26 Nov 2021. There is also a 7" vinyl release, with a b-side of "Closer to the Sky (Dub Mix)". There was also a Scot & Millfield remix and a Beau Chapeau remix of the song, both also released in 2022. The song was written by Turunen and either Erik Nyholm or Stenzel (I've seen different reports), and is performed by Turunen (vocals), Stenzel (programming) and Rabin (guitars). It was recorded and engineered in Antigua by Stenzel, with the vocals recorded by Turunen in Marbella, Spain, and the guitars recorded and co-produced by Rabin. The song was produced and mixed by Stenzel, Turunen and MIC, and mastered by Tom Porcell. The band released 8 singles in total before an album, A Peaceful Place, out 23 Jun 2023, including on CD and curacao blue vinyl 2LP. Tracks: "Outlanders", with Walter Giardino (Rata Blanca) "Closer to the Sky", with Rabin "The Cruellest Goodbye", with Al Di Meola "World in My Eyes", with Vernon Reid) "Mystique Voyage", with Steve Rothery (Marillion) "The Sleeping Indian", with Joe Satriani "Land of Sea and Sun", with Marty Friedman "1971", with Giardino "We Own This Sky", with Ron "Bumblefoot" Thal (ex-Asia) "Never Too Far", with Mike Oldfield (worked with Jon Anderson, Geoff Downes) "Echoes", with Jennifer Batten "A Peaceful Place (Return to the Oasis)", with Giardino

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Rick Wakeman and Rabin have both mooted the possibility an album together at some point: see here for details. Rabin also appears on a couple of tracks of Wakeman's Unreleased Demos Volume 1, the third Caped Crusader Collector Club release, with demos and more from the 1990s. He then also appeared on one track of the fifth Caped Crusader Collector Club release, Rehearsals and Demos, on another demo: see under Rick Wakeman. Both Rabin and Wakeman are expected to guest on Jon Anderson's 1000 Hands: Chapter Two, expected in 2023: see under Anderson.

Rabin and Roger Hodgson worked together around the time Hodgson turned down the idea of joining Yes, the collaboration yielding "Walls" on Talk. Some of that material was recorded with Squire, White and Kaye. Asked in the Sep 2020 SOAL interview whether any of it might see release, Rabin replied that he and Hodgson "always keep in touch". He continued, "we really spent quite some time enjoying writing together and recording stuff. A lot of it just never got finished. [...] That's something that, y'know, maybe, at some point, Roger and I should... y'know, time's getting on, so we should do it sooner than later. [...] There's quite a lot of stuff that wasn't finished and, we've always talked about, we should get this done, finished, and forget about where, how it's gonna be done, let's just do it and get it done." Talking on The Record Player podcast (Sep 2023), it appeared nothing had happened since 2020. Rabin said, "Nothing's finished and mixed," but that he would talk to Hodgson about the material when he saw him in Oct 2023.

Gary May (Trevor's brother-in-law) said on Facebook in early 2015 how he had had "Trevor produce, orchestrate and play on one of my songs", with a photo taken in Rabin's Jacaranda studio in Oct 2014.

Rabbitt reunited as Rabbitt Reloaded for a South African tour with original members Duncan Faure, Ronnie Robot and Neil Cloud, but without Rabin, although Rabin is supportive of the project. The new band was joined by Marius Marais. However, the tour was postponed before starting following Robot suffering a hand injury.

In Aug 2021, Rabin sold his music publishing catalogue of 3528 pieces—including music with Yes, from his solo career and film scores—to private equity firm Round Hill Music Royalty Fund Limited. Round Hill got the writer's and publisher's share of the catalogue and administrative control. Josh Gruss, chairman and CEO of Round Hill, said, "We believe this is a particularly attractive area in which to be increasing our exposure, as film and TV performance revenues continue to increase in value."

I currently have about 3 records in the works but I decided to focus on the one which I have wanted to do for quite a while, Anam Cara. This was an idea for a project I wanted to do many years ago when I started working with the singer Rachel.

However, as that band dissipated and morphed in into the Oliver Wakeman Band and the Mother’s Ruin album, the ideas I had for this album were put on the back burner. So when I was in discussion with the management company about what was coming next, I mentioned this album idea and got the green light

[...] nearly all the music is written and I have David Mark Pearce doing the electric guitars, Steve Amadeo on bass and Scott Higham on drums. [...] There will be more announcements over the coming weeks about the vocalist and other musicians confirmed on the album.

[...] Anne Sudworth will again be providing one of her wonderful pieces of artwork for the sleeve. [...] Karl Groom [...] will be handling the mixing and mastering.

We are currently aiming for an early 2023 release date.

I was supposed to have delivered the album for mixing by now but I decided at the last minute that 2 songs needed a rewrite (one quite substantially!)
Just finished the second one now so I think I’m finally there. Need to get everything to Karl [Groom] for mixing now!

Busy trying to finish the writing sessions for my new album which will hopefully be out later this year [2020]. Had a breakthrough today writing the middle section for a piece I’ve been working on for some time
Nearly ready to start working on the arrangements. Then comes the recording!

I have continued to work on the collection of instrumental piano pieces based on music I have written for my family or commissions for other people's loved ones.

I have decided to include other musicians on the album (as it was originally going to be just myself on piano) as I feel that, with the way some of the pieces are developing, it feels more like the follow up to 3 Ages of Magick album I recorded in 2003. I think I have all the music now composed but the crafting and arrangement work has started in earnest. I am hoping that this will be out for Spring 2020.

Cultural Vandals is coming along really well. We are currently discussing the options for releasing it which will hopefully be towards the end of the year [2011] or early 2012. I have been working on another project for the last few months and I hadn't listened to it for a while. I mentioned in my last blog that I always like to let albums sit for a while and then revisit them to make sure that I am happy with them. I sat and listened to it in full yesterday to see what other work was required and it felt really good to me. I can't wait to start recording [...] a finished version

Manzi was recording vocals with Wakeman in May 2012, presumably for this project.

In a review of 2016 on his website, Oliver said, "There is my large scale musical project which I have been working on all year [2016] with a well known music producer and my business partner. We are confident that it will see the light of day this year [2017]."  In a May 2018 tweet, he talked of "working on my next album rough mixes".

In a May 2009 interview, Oliver says:

I have a lot of solo material that I'd like to record too – four very different albums' worth. One will be a rock album, another Celtic rock, the third is a rock opera, and the fourth is made up of piano pieces. I really hope to start recording them before the end of the year [2009]. I like to use a studio in Virginia Water, Surrey, where I have a great relationship with the engineer Karl Groom. I produce my own recordings myself.

In the Jun 2008 interview, Oliver also said that he was "a fair way through a solo project on the piano". Oliver had also started work on a singer-songwriter-style album featuring various musicians he has worked with over the years.

On 13 Mar, Oliver tweeted about being, "Back in the studio working on the new @dexibellMI project..." Dexibell are an Italian musical instrument company. Further details as to what this project entails have not been forthcoming so far.

Oliver is available for writing commissions.

Live
Oliver Wakeman's Anam Cara were to play the Summer's End Festival on 7 Oct 2023. However, due to a bereavement affecting a band member, they have had to postpone to the Winter's End Festival in Chepstow, UK, performing on 14 Apr 2024. The set will include performing [SPOILERS—highlight to read] From a Page, as well as material from across Wakeman's career. The band will be Hayley Griffiths (vocals), Scott Higham (drums) and Oliver Day (guitars).

Rick Wakeman, Oliver Wakeman, Gordon Giltrap (worked with Rick Wakeman, Oliver Wakeman) and Carrie Martin (worked with Oliver Wakeman) played a charity concert on 6 May 2023 in Tewkesbury, UK, entitled The 'Other' Coronation Concert. Oliver's son, Arthur, also joined Oliver for one song. The event raised money for Milestone and Cleeve Schools and nearly sold out. It may become an annual event.

Oliver is also due to play with dad Rick at an Apr 2024 performance of Rick's The New Gospels in an updated form, under the new name of Christus: see under Rick Wakeman for details.

Work with Rodney Matthews
Wakeman is working on another project with illustrator and drummer Rodney Matthews. Matthews tweeted about the project on 6 Nov 2023, saying, "A new illustration for a music project that I have just commenced with @OliverWakeman, based upon ideas both musical and image-wise that I worked on in the early 1970s but never recorded as an album!" He had earlier mentioned this same illustration in his newsletter, where he said:

Work has now commenced on a new music project with Oliver Wakeman. This will most likely take the form of an album on vinyl and CD, with tracks influenced by my images. The twist with this one is that it will be retro, incorporating images and musical ideas that I first experimented with during the early 1970s – that definitely makes it “proggy”! Right now I am working on a new illustration for the booklet, titled ‘Armageddon sings as the Toad Conducts the Band’.

Rodney and his wife Sarah have re-done the 1978 children's book "Yendor", originally by Graham Smith and Rodney. (Yendor is Rodney backwards.) The book is now out. There is a CD release with narration by Sarah, some additional voice from Rodney, and a score by Wakeman. Tracks:

Wakeman guests again on a project by Carrie Martin. He plays on 2 tracks of her album Evergeen (earlier known as Beside the Evergreen; promo), out on Psychotron Records, contributing piano and strings to "End of Story" (based on Louise Swanson's novel of the same name) and also appearing on the 8-minute track "Keep in the Light". Martin wrote on Facebook in Nov 2022 about receiving Wakeman's parts for "End of Story". Tracks:

1. "Beside the Evergreen", with Jim Waltham (bass)
   
2. "Wynter", previously released on the LP version of Martin's Entity
   
3. "Earth Angel", with Waltham (bass), Sarah Dean (harp), Martha & Alice Tregonning (additional vocals)
4. "Keep in the Light", with O Wakeman, Roger Fisher (ex-Heart)
   
5. "Deep Blue Heaven", with John Verity (ex-Argent; electric guitar), Jamie Mallender (bass)
   
6. "End of Story", with Waltham (bass)
7. "She Doesn't Know", with Dan Cassidy (fiddle), Waltham (bass)
8. "Girl with a Feather in Her Hair", with Waltham (bass)
9. "Boxes of Nothing", instrumental
   
10. "The Tempest", with Waltham (bass)
11. "Lost in the Right Time"
12. "Loren", cover of the Gordon Giltrap piece; CD only

Jeremy Richardson (John Hackett band; bass) and Wayne Proctor (drums) also appear. Ben Martin (Carrie's son) produced. Cover art is by Clare Roper-Paris.

Early May 2023, Oliver and dad Rick were both interviewed for a forthcoming documentary film about The Strawbs.

I got the rights back to my songs which will see the light at some point. Plans in the pipeline! I also have lots of demos of stuff from the FFH sessions [...] [including] the 2 songs I wrote and the one I co-wrote with Chris - a cool 10 minute piece.