Where are they now? - Steve Howe
This page last updated: 20 Sep 2016
On this page: Solo projects - Guest appearances
On other pages: Yes news - Asia
Steve Howe's official sites: Homepage -
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Howe is in Yesósee details on main news page.
In an Apr
2016 interview, he talked of having several solo studio
projects on the go. In
2016 one, he said, "I have a lot of projects started
that are behind me. What I will do is go back through them and
start to refine them. I usually come across one that makes me
want to get back at it. All these projects and I am doing them
all at once and they kind of a stock pile and none of them are
finished. They will get finished when I think that it is time
for that one to get sorted. One of the upcoming releases has
me looking through back room stuff, but that is a process that
doesn't happen overnight." It is not known what this upcoming
Howe is playing a 14-date UK solo tour 6-23 Oct 2016 in support of Homebrew 6 (see below).
Howe played solo dates in England & Wales 1-28 Apr 2015. On
the opening night, the set included Howe's acoustic version of "To
be Over" and ended with a medley of 4 Yes songs, and an encore of
"Clap". The 19 Apr set was: "In the Course of the Day",
"Trambone", "Sweet Thunder"/"He Ain't Heavy, He's My Brother",
"Diary of a Man Who Vanished", "To be Over", "Pleasure Stole the
Night" (with vocals), "Corkscrew", unidentified, "The Little
Galliard", "Classical Gas", half of "5% for Nothing", "Mood for a
Day", intermission, "Hint Hint", "Ram", "Look Over Your Shoulder"
(with vocals), "Provence", "Valley of the Rocks", "Solitaire",
"Second Initial", "Sketches in the Sun", "Cactus Boogie"
(switching to electric guitar), "Georgia's Theme Pt 2", "Dorothy",
"Intersection Blues", Yes medley ("Hour of Need/9 Voices/Wonderous
Stories/Your Move", on Portuguese guitar, with vocals), encore:
"Clap". In a Mar
2015 interview for Rhino, Howe said of subsequent touring:
we canít say itís definitely going to happen, but if it can, it may have legs, this idea. I havenít done America solo since 2008 [...] knowing that later in the year  Yes are quite busy, Iím obviously not looking at prolonging the idea too much, but itíll be something similar in length to the UK dates. I juggle whether to do Japan or Australia or America, and I have a loyalty to come back to America [...] Or Canada! [...] I do like solo shows. Theyíre challenging, but I donít find it a stressful challenge. Yeah, itís something I definitely have a need to keep doing. That gives me a lot of premium and a lot of exploration of what my music is about
The 2015 tour was in support of a new solo
2CD compilation entitled Anthology, compiled by Howe and
out on Rhino in the US and
UK, and on Warner Music Japan in Japan. The 12 Apr
gig at Trading Boundaries will be introduced by Roger Dean,
who will be exhibiting a new painting for the release and previous
Plans for such an anthology date back many years. In the Rhino
Mar 2015 interview, Howe described:
I had the idea at a few stages in the last 10 years, say, but when I got to 12 albums, I suddenly thought, ďYou know, it might be good to do that now.Ē So I got together with Virgil [...] we got a rough idea of what was happening, and then we talked to the people at Rhino, and it started to move forward. It was a bit slow. Last year  we kept bouncing the idea around, and then we suddenly got a green light.
In another Mar
2015 interview, Howe explained: "I have planned an album
like this many times before, but it never really got off the
ground. I didn't want to look back at all those notes and make the
same choices, I wanted to make fresh choices. So I thought the way
to get it going was to get together with my son, Virgil, and vibe
off of him." A 3CD compilation with accompanying DVD was mooted in
2001 under the name So Far, which appears to be the same
as a project earlier tentatively entitled Headstock. In a
Jan 2009 interview
from the Edge, Howe talked about "a lot of my films
that I've been preparing for many years that will eventually come
out on a DVD" (including performances of "Corkscrew"), which may
have been related to this project or be something else. Howe has
previously talked about a documentary of his career, concentrating
on his solo work from 1975-1994.
In a Sep 2015 interview (conducted late Aug), Howe describes Anthology as the first of two releases, implying a second focusing on non-solo appearances?
Asked about a next solo album in the Rhino Mar 2015 interview,
Iíve always got a backlog of music [...] I create a sort of nest egg [...] of music and song that I can back to. And theyíre most probably going to be on another solo album, because once I start to become secretive or very introverted about them Ė because they really are personal, certainly if there are lyrics [...] Ė then Iíll tweak Ďem an awful lot, Iíll go back loads of times, and think, ďWell, you know, I just want this to be something else. Howís this going to live up to my new expectations?ĒHowe previously released Time (Warner Classics). The album was 5 years in the making and saw Howe working with a classical ensemble. The project was a collaboration with Paul K. Joyce (wrote music for "Bob the Builder", "The Worst Witch", "Fimbles"; ex-Sense; orchestrations, keys). Howe contacted Joyce after reading an interview with him in 2007 and they started working on the album, based on material Howe had accumulated, including some he had worked on with Paul Sutin. The album includes three versions of 'classical' pieces, original compositions by Howe, material by Joyce and son Virgil (who also guests on keys), and material written with Paul Sutin. Howe discussed the project in an Oct 2011 interview:
So certainly there is a work in progress, but Iím not terribly clear which way itíll go. But as you prepare, eventually you start to spot that youíve got tracks that really are going in a startlingly different direction, and I think thatís what Iím waiting for. Iím not going to make another Turbulence. [Laughs.] Even though itís a nice album!
[...] So the style of the music, I havenít put my big toe in so deep yet. It might be that Iím waiting to see enough material in another style [...] and just say, ďWell, when I feel itís there, then thatís the album Iím going to do,Ē and Iíll start really building that album. [...] Iím not really pushed to do anything.
2013 interview reported that Howe is in talks with Warner
Classical about a follow-up. In a Mar
2015 interview, referring to Time, Howe said, "I'd
love to make another record like that". In a Feb
2013 interview, Howe talked about possibly doing another
solo album along similar lines to Time. He also mentions
another project. While talking about working
with his sons Virgil and Dylan, he says, "Virgil has collaborated
on Spectrum and other albums. We've got an on-going
thing. [...] In fact, they've just played on a whole project
that's not been released, that's in the pipeline. Virgil plays
drums." It's unclear whether this is related to any of the other
projects discussed on this page. In the Sep
2015 interview, Howe said he has projects with both Dylan
(presumably the Steve Howe Trio) and Virgil
at present that are "near completion". In the Apr
2016 interview, Howe said Virgil has a forthcoming new album
of piano music, supported by him on guitar, to be released in the
Howe has been working further with Paul Sutin. In a Jan 2012 interview, Howe they have some "new tracks we haven't released yet", "kind of a mix up of some things we've done where we've re-arranged them, re-played them, they're almost like different tunes because they have such a different feel", plus some new tracks which are "almost Europop influenced". He goes on to describe how they've worked together: "What I like to do [...] if you've got a sort of semi Euro dance track, I don't play like semi Euro dance track guitar. [...] I play [...] different sorts of things [...] It came alive because of the contrast."
Howe's previous solo album was Motif Volume 1
(HoweSound). This solo guitar album consists of existing pieces
plus four new compositions. Howe explained that the album:
He has been working on a second volume, due "perhaps this year
" according to a May
2009 Billboard article, and "soon" according to a Jul
2009 article. In an update on his
website in Mar 2010, Howe describes Volume 2 as being "in the
planning stage" and that he will tour in support of it in due
course. In the Oct
2011 interview, he talks of working on Volume 2 and
says "maybe next year " for when it will appear. In another
interview, Howe said:
Yes and Asia have kept me busy
for three years [...] that's got to stop, and I do want to play
solo. I'm a solo guitarist, and that means that I do want to go
out and do it. I am writing new material, I am going to follow
up 'Motif, Volume 1' with, surprisingly, wait for it, 'Motif,
Volume 2'. I've got new material, I'm going to record it in the
studio, as opposed to how I've done it before. I enjoy that side
of my life, probably more than Yes or Asia, I don't want to make
that seem unappreciative, but the older I've got the more I've
dug in to that solo side. That's why 'Motif, Volume 1' was a
very important release for me, because it pulled together that
side of my life that had been spread over Yes, Asia, solo
records, Trio records
Promo for his 2015 solo tour still referred to the Motif
series, and in one of the Mar
2015 interviews, Howe said, "I hope to do Volume 2".
6 (Howe Sound, HSCD006) is out in Europe and 15 Apr
2016 in the US. The album contains ideas and material used
in Yes, ABWH, GTR and his solo output. Tracks:
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All tracks and instruments are by Howe unless otherwise stated.
Tracks 1, 6, 11, 12 and 14-18 have vocals by Howe. The album was
produced and engineered by Howe, and compiled by Paul K Joyce.
"High Flyer" on the earlier Homebrew
4 was described as having also been developed by GTR for
an unreleased song called "The Future". The liner notes then
continue, "which I plan to release as part of a forthcoming
project called Radar which contains unreleased songs and tunes
Howe has talked about two new books, one called "The Guitarist's Survival Kit", and the second a collaboration. At the Steve Howe Appreciation Society workshop in Jun 2005, Howe read a chapter from an autobiography that he is writing (which I guess may be related to some of these other projects). In a Feb 2011 interview, asked about his autobiography, Howe said:
Quite a few years ago I started talking about the fact that Iíd written up quite a lot of my book. What I did, I got up to 1972, I think, in the book. And that was quite an achievement. What happened was, that Iíve had so much other things to do, I havenít really addressed that very much. But I have a plan. The plan is about expansion [...] I look at those 15,000 words and I think, ĎRight, well, that isnít quite right, it isnít quite thick enough, there isnít quite enough depth,í so I want to bring a little more to it. So when I get another block period, Iíll get back to it [...] What itís about is work in music. [...] My book will be about my work [Ö] I hope to finish it, maybe even next year . [...] It might be a realistic plan to have it out by 2012.
Asked about it in Feb 2015, Howe replied on Facebook: "it's in
the works. It could be out in the Spring, next year ".
In a Q&A
for YesWorld in Jun 2013, Howe was asked about the
possibility of a follow-up to his 1993 book "The Steve Howe Guitar
Collection". He replied:
Iíve been thinking about it since the first collection is now out of print [...] Iíve had some ideas about something more like a Steve Howe catalog of great guitars that I did keep, because since then Iíve traded, given, and sold instruments; a few a year, so that my collection would get smaller. [...] itís more about things that, over the last thirty or forty years, I still value, as oppos ed to when the book was done, I was having a great time; buying shed-loads of guitars, and that doesnít interest me now. [...] I have done some preparation, itís just a matter of when and if I put it into action.
NVP (Nicolet Vidťo
Productions) described on
their website filming in Oct 2008 a 3D film and an
accompanying one-hour, 2D film about Howe. It is unclear what has
happened with this project or how it may be related to the
projects described above.
The Steve Howe
beide dingen zijn bijna klaar, er komt een trio album met Ross Stanley en Dylan Howe en mijzelf. Dat is echt spannend, het is allemaal originele muziek. Er staat een aantal nummers op van Bill Bruford eigenlijk hebben we ze nog (lacht) niet terug gehoord.
In a Sep 2013 interview, Howe said, "We've got a lot of
new material for the new album, and we've been recording
that. [...] [Music] partly of mine, but also bringing
their music into play." At a Sep 2014 solo show, Howe
said the Trio may change name to Howe Stanley Howe. He
said in an Aug
2014 interview that in Oct 2014 he will be "doing
recording, and finishing up a new trio album [...]
that's all original in music. No direct Jazz music in it
at all. But we do swing". In an interview
with Vintage Rock conducted around the beginning
of Apr 2014, Howe said: "We're going to release a new
album eventually ó well we've recorded most of it ó
which is completely original, and not relying on a jazz
kind of repertoire, which is maybe going to hold us
back. Because, strictly speaking, I'm not into playing
standards." In a Nov 2014 interview for YesFANZ, Howe
The Trio have just recorded a new album that should be out next year  we hope, which is unlike, The Haunted Melody', because we just thought ďI know what we will try to surprise them or weíll deviate from theÖ.í The program was you know we will take music from my career sometimes but also Jimmy Smith, Kenny Burrell, Roland Kirk. A kind of jazz, but this time itís all original and itís new original music and I think that has been good for us.
He also says he would like to tour in support of the
album. In the Mar 2015 interview, Howe says:
we have almost finished Ė and itís only a hairsbreadth away from being finished Ė a new Steve Howe Trio album. But weíre not in a hurry. [...] Weíre just going to take our time [...] we may be looking at much later in the year  to release that, but if the albumís not ready Ďtil next year , we wonít release it Ďtil next year. Iím not really pushed to do anything.
In an Apr
2013 interview, Steve said the trio would be
working on the album in Apr/May 2013 (presumably after
Yes's touring leg finished 12 Apr). He said of sessions:
Much like I pushed Asia and Yes to keep reinventing themselves, the trio is going through a bit of that. We may decide to do a completely original record this time without any jazz or blues references. We may not get that far ó we may decide we like something and we want to do it, but weíre certainly going to combine musical styles to come up with another phase of the trio.
Dylan had tweeted in Jul 2013 that the album was "soon
to be released". I asked Dylan about the album on
Facebook on 1 May 2014: he replied that it will be
released, "Hopefully end of the year  or before -
still got some o/d's [overdubs] to do and then mix".
Meanwhile, a Mar 2016 interview with Howe opens: "[Howe ha]s spent a bit of time lately sifting through various concert tapes of the Steve Howe Trio [...] for a future live release. [...] "We're going to hone down to a final mix and then we'll look at how we should release it.""
The band toured the UK with 11 dates in Sep 2013. The London set list was typical: set 1ó"Mood for a Day", "My Buzzard Friend" (new piece), "The Ancient" (excerpt), "The Haunted Melody", "Tune Up", "Heart of the Sunrise"; set 2 (52 minutes)ó"Dream River", "Devil of a Chance" (new piece), "Siberian Khatru", "Conversation" (originally by Joni Mitchell), "He Ain't Heavy, He's My Brother", "Blue Bash", "Close to the Edge" (new arrangement compared to Travelling), encore: electric guitar solo piece by Steve, "Kenny's Sound". The Portsmouth set list was shorter: set 1 (44 minutes)ó"Mood for a Day", "My Buzzard Friend" (new piece), "The Ancient" (excerpt), "The Haunted Melody", "Tune Up", "Heart of the Sunrise"; set 2 (52 minutes)ó"Dream River", new piece (probably "Devil of a Chance"), "Siberian Khatru", "He Ain't Heavy, He's My Brother", "Blue Bash", "Close to the Edge", encore: "Kenny's Sound".
appearances & collaboration
"I asked them if they would work with me and they said yes," Steve says. "It has taken some time, but I have not stopped writing tunes [for the project]. I have a country side that I want to explore. I will do country records."
"Alison asked me why a guy from Yes likes [country] music so much," Steve recalls. "I really got into guitar because of country music. I loved Tennessee Ernie Ford, he was a fantastic jewel. I was so inspired by his playing, I started playing guitar. Then I heard Chet Atkins -- there are a lot of great guitarists but Chet is at the top -- and knew I wanted to go into country music sometime."
Although Steve is now deeply involved with Yes [...] he thinks the time for the collaboration may well be around the corner.
Asked about the collaboration in the Feb
2013 interview, Howe said:
Iíve got immense respect for Alison and the band. I just love them to bits. Things were mooted and there were was a little opportunity to try something. In the time that these things were talked about and mentioned, shifting sands changed here and there. So I never count on things like that. [...] My determination is to do some recordings that reveal some more of my connection with country and bluegrass through people like Chet Atkins [...] also Mel Travis and Tony Rice, Stevie West, Jimmy Bryant, I could go on and on. Iíve written 30 solo pieces, half of which are in the country style
In the Jan
2012 interview, Howe describes planned work with Italian
classical guitarist Flavio
Sala, and then further possible collaborations:
At the moment I've got a sort
of beautiful backlog of guitarists that I'm gonna be playing with. I
met a young guitarist a few years ago, he's only 28, and he
plays amazingly. So I'll play with Flavio Sala [...] He's from
Italy, highly, highly regarded classical guitarist, but he, like
me, he's not really going to be content with one repertoire,
y'know, he's looking to build repertoires, and I hope we're
going to do a couple of tunes together.
[...] of course Steve Morse and I have always had a point in destiny where [...] we're going to do more, but time might run out, we might not do that, but I'd love to do that
[...] Martin Taylor [...] I'd love to get back with him
website describes how he's been inspired by Howe, inter alia, and goes
on that he is "working on new CDs, that will be released
between 2012 and 2014, with classical, pop, flamenco and
fusion repertoire." In a Jul
2012 interview, Howe said, "There's an
Italian guitarist I've been doing a bit with. His name is
Flavio Sala". Sala also participatied in Howe's guitar
retreat in Aug 2013. Discussing the retreat in this Apr
2013 interview, Howe said of Sala: "We started
meeting up and we have recorded a tune together that we're
both sort of holding back to see how we use. So we've done
a duet together."
Howe guests on Sala's "discographical project", Mi Guitarra y Mis Amores, playing acoustic guitar on the first piece, "Sabrosa". The piece by Renť Touzet was recorded at Howe's studio in Jun 2012 and released 21 Dec 2014. Mi Guitarra y Mis Amores is a free, bimonthly download available by signing up to Sala's regular mailing list. Others guesting on the project include Rafael "El Pollo" Brito, Israel El Pirana, Antonio Serrano, Fabrizio Bosso, Pasqualino Garzia and Euro Zambrano.GTR
In a Mar 2015 interview, Steve Hackett (ex-Squackett, ex-Genesis) said: "Steve Howe and I just started talking recently about possibilities of things [...] At this point in time, obviously there's a lot of other things on the agenda, first of all. So we'll see how that goes."
In a 5 Apr 2016 interview, bassist Phil Spalding discussed the later GTR demos that have been bootlegged with Steve Howe/Max Bacon/himself/Nigel Glockler/Robert Berry, but he said there wasn't a second album as such. The interviewer summarises this as "fragments" existing. At which point, Spalding said that "some of those fragments are going to see the light because, believe it or not, I've had some GTR action today [...] between Max and Steve Howe, and Max and Steve Hackett. There is some stuff that Steve Howe has curated and kept that he made with Max and I, he's looking to find an outlet for it." He went on to describe a discussion to agree over credits. Spalding later continued: "On the back of conversations we had today, I'm due [...] to write with [Bacon] because we are... there's something brewing [...] I can't really say that much [...] Max and I have got to go see Hackett too." It is unclear quite what this meansóarchival release of post-Hackett GTR material, or Hackett-era material? Or some new recordings, tying in with Hackett's 2015 comments?
Jonathan Mover, who drummed in GTR, had announced some years ago that he is planning a "a two volume collection of works from various artists that I've played with over the past twenty or so years. Mainly, a variety of tracks that are dear to me in one way or another and have not had the chance to see the light of day." On his website, he refers to "unreleased GTR (1985)". As GTR was released in 1986, presuming this is not a typo, Mover would appear to be referring to material before the first album.
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Any news, additions or corrections, please e-mail Henry Potts. Thanks.